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...movie well exceeded the cumulative take of a trio of other debut films. The Invention of Lying, Gervais' pro-prevarication, anti-religion romantic comedy, earned a modestly encouraging $7.4 million. Moore's docu-frolic Capitalism: A Love Story just about equaled the opening for his previous screed, Sicko, by banking a conservative $4,850,000. That number tied the reported earnings for Whip It, the roller-derby sisterhood comedy directed by Barrymore. All three star directors have carpeted the TV talk-show circuit lately, but none could lure many paying customers. Then again, they couldn't match the break that...

Author: /time Magazine | Title: Box-Office Weekend: Zombie-ootiful! | 10/5/2009 | See Source »

...field of sunflowers, the entire film takes place in an Israeli tank holding four very nervous soldiers. The only view to the streets outside is through the gunsight aimed at insurgents and civilians. Which ones to shoot at? Which ones to save? Working as both a horrors-of-war screed and a depiction of men under impossible stress, Lebanon is an unrelentingly claustrophobic nightmare. (Read: "Lebanon's Bernie Madoff: A Scandal Taints Hizballah...

Author: /time Magazine | Title: Venice Film Festival: Films with a Mission | 9/28/2009 | See Source »

...hell out. The situation may be familiar from dozens of Hollywood foxhole dramas, but the treatment is original: What other movie has, as its exalting emotional climax, the spectacle of one man helping another to pee into a tin can? Working as a horrors-of-war screed and a depiction of men under impossible stress, Lebanon is a salutary, unrelentingly claustrophobic nightmare. Life During Wartime, directed by Todd Solondz...

Author: /time Magazine | Title: Five to Watch from the Toronto Film Festival | 9/19/2009 | See Source »

...doesn't push your face into the message of conspicuous consumerism; he lets the characters and actors breathe, allows viewers to detect the toxic undertaste in their own good time. In its amiable, ambling way, The Joneses is a zeitgeist film: it says as much as a Michael Moore screed about the American way of debt. It's also a feature-long joke about Hollywood's mania for product placement...

Author: /time Magazine | Title: Five to Watch from the Toronto Film Festival | 9/19/2009 | See Source »

...using a public relations firm as a place for reporters to call for basic information about the company and its current plans," he told TIME. "But when you're using taxpayer money to fund a campaign that attacks specific individuals by name, that is particularly egregious. Even if the screed was done entirely in-house, it still constitutes a questionable use of taxpayer money, since the in-house staff is essentially government employees. There's very little legitimate expenditure on public relations for AIG at this point...

Author: /time Magazine | Title: Is AIG Spending Too Much on Public Relations? | 4/10/2009 | See Source »

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