Word: screen
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Dates: during 1920-1929
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Last week, a successful attempt was made to transmit a colored picture. It involved merely another application of the same device. A colored picture of Rodolph Valentino, in M. Beaucaire, was photographed three times, once with a blue screen to take the blues, once with a yellow screen to take the yellows, once with a red screen to take the reds. These photographs were then transmitted separately. The only difference of method was that the lines of each picture were at a different angle across the plate, so that when they were reproduced they would blend instead of blur...
Docking at Hoboken, they were con fronted by an attentive swarm of U. S. Customs men, who opened, rummaged, scrambled the baggage with all that suspicious efficiency which is ordinarily accorded to millionaires, screen queens or famed pugilists...
Bread−soggy, tasteless on the screen...
...improvement in the acting of Mae Busch. Mr. Norris, to encourage home-life and the patter of tiny feet, drew a penny-scrimping stenographer to whom marriage was bliss at first, then mere unbearable penny-scrimping. She left her husband, never went back, was sorry ever after. On the screen she comes gushing back for the usual reconciliatory osculation. Never were worse subtitles committed...
Behold This Woman. Another picture of Hollywood, by Hollywood, for Hollywood. All points of interest in the story are seen as in real life, except, of course, the characters. It is good to know that they are only acting, for Irene Rich, as a sophisticated screen queen, breaks down in her car among the hills, drops in on Charles Post (as Stephen Strange-way, hillman), lets herself in for his strong-man love. He does not recover until there has been displayed a good deal of vamping, counter-vamping, and ancient details of the Hollywood "sugar-papa" system. The scenario...