Word: screen
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Dates: during 1930-1939
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...They fought for the right to rule, she fought for the right to love," and "The Prisoner of Zenda" lends itself to the screen in a manner that will not embarrass lovers of Anthony Hope's famous novel. Though we are given a touching and absorbing love story, as the picture unfolds, its spirit of high adventure and not its love sequences is what makes it a top notch film...
...former, Ronald Coleman gives the best performance in his ten years of screen experience. With their portrayals in the latter, Luise Rainer and Paul Muni reach as high a perfection as any actor and actress have yet done on the screen. Both films are exponents of the tremendous power in magnitude and impressiveness the motion pictures can attain...
...land!" have become very real things in the hearts of the movie-going public. Those who have seen either of the films know they cannot go wrong on a second visit; those who have seen neither will be pleased to learn that two of the greatest landmarks in screen history may be viewed for the mere crossing of Massachusetts Avenue...
Today is Review Day again at the University with "Naughty Marietta" on the one hand and "Craig's Wife" on the other. Of which, one is pretty sure to be recognized right away as a member of the series of screen operettas starring Jeannette MacDonald and Nelson Eddy, and of which the other may be remembered as a vehicle for Rosalind Russell and John Boles...
Joan Bennett, who spurned the stage for the screen, now comes back from the screen to the stage to tell about a girl who refused to spurn the stage for the screen. If this minor irony doesn't obtrude itself upon your attention, you will find George S. Kaufman and Edna Ferber's "Stage Door" a rather absorbing bit of sentimental comedy. With Mr. Kaufman monopolizing the Boylston-Tremont region, go see "You Can't Take It With You" first, then "Stage Door", and finally "I'd Rather Be Right"; or, proceed in the reverse order...