Word: screen
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Dates: during 1960-1969
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...interlocking time structure and convoluted personal relationships in the four separate but interrelated novels. Thus 20th Century-Fox might have been well-advised to follow the traditional Hollywood practice of isolating a single incident from one of the novels and blowing it up into a complete story for the screen. But fearlessly, the studio resolved to distill the essence of the entire Quartet -carefully constructed around Freud's idea that "every sexual act is a process in which four persons are involved" -into one big, sloppy movie. Assigned the thankless task of giving order and meaning to Durrell...
...side of the screen, Wayne has often appeared to be loping through his roles. But on the other side, it seems, there has always been an exacting competitive performer. In McLintock, recalls Actress Maureen O'Hara, "he didn't like the way I was doing a scene, and he said angrily, 'C'mon, Maureen, get going. This is your scene.' I said I was trying to go fifty-fifty. 'Fifty-fifty, hell,' he said. 'It's your scene. Take it.' Then he added under his breath, 'If you can.' " The master of the western, Director John Ford, calls Wayne...
...features that followed, Wayne earned his head-'em-off-at-the-passport, but his salary and his reputation remained minuscule. In one he suffered the ultimate indignity as Singin' Sandy, the screen's first melodious cowpoke. The hoarse opera was swiftly dubbed, and Wayne returned to the role of Speakin' Star. The movies soon found an acceptable substitute: fella named Gene Autry...
During World War II, the western dwindled in popularity, but the hero could pull more than one trigger. Wayne switched from Colt to M-l and became a screen soldier. He was a bit unsteady out of the saddle, but there was conviction behind his "Let's get the Nips!" rallying cry. Part of it came from his disappointment at missing the action. He was too young for World War I. As father of four, he was draft-exempt during the second. Still, he treasured a notion of himself in officer's garb. "But I would have...
...screen he had almost as much clout. It is axiomatic that in order to be a conservative, the individual has to have something to conserve. Wayne had made more money on horseback than Eddie Arcaro. He had property, a big rep and a new wife, Mexican-born Actress Esperanza Baur. He was Hollywood's super-American, whose unswerving motto was "Go West and turn right...