Word: screen
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Dates: during 1960-1969
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Learned Response. Dr. Peter Lang, research professor of psychology at the University of Wisconsin, has applied autonomic learning to control the human heart rate. Attached to a monitor, a subject is told to watch a TV-like screen and to make the moving lines on it shorter, corresponding to a slower heart rate. Without any conscious effort or muscle tensing, the lines shorten, the rate slows, the subject becomes able, as Lang puts it, "to drive his own heart." Lang has not probed for an explanation beyond showing that the changing heart rate is indeed a learned response. The unconscious...
...they lie, they steal, seeking new excitement, "a worse kind of life." Finally they stumble upon an unattended banquet, which they utterly destroy. Here the film stops; they are seen drowning, calling for help against filmic extinction. The filmmaker, arbiter of their future, types out a message on the screen: "Even if they were given a chance, things would, at best, turn out like this." But they are given a chance, and suddenly are back at the ruined banquet, trying to set things alright. They fail; there has been no character change. As a chandelier crushes their bodies, bombs explode...
...siecle decorativism, defining their character with hundreds of faces clipped from magazine advertisements. Chytilova has further employed various complex animation techniques and frequent single framing to stress the discontinousness of her subjects experience. In one sequence, the girls cut each other up with scissors; the screen itself splits into infintesimal parts...
...offered by a commission of the Danish government appointed to study the incidence of sexual crimes; the commission found that such crimes had declined by 25% in the year in which antiobscenity laws on books had been abolished. After an intensive investigation of the relationship between eroticism on the screen and individual behavior, Sweden's censorship office reported unequivocally that no normal adult is harmed by seeing intercourse and nude bodies in a motion picture. Psychologists and sociologists in the U.S. have no concrete evidence that erotic material directly stimulates sexual activity. They maintain that the young in particular...
Hollywood has put buzzers under theater seats, piped odors into the theater and sent ghosts jumping from the screen to sail over the audience's heads into the balcony. All that ingenuity cannot compare with the gimmick in Hard Contract. It is gas, cleverly concealed inside the dialogue by Writer-Director S. Lee Pogostin. For example: "God hardly ever comes to Madrid any more; he left with Picasso," and "Evil is a giant; good is when evil takes a rest...