Word: screen
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Dates: during 1960-1969
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...rate, he certainly doesn't aim Shame at our minds, but instead succeeds in an overall effect. Making a non-intellectual film he has at last fused his talents as writer and director, and simultaneously bridged the space between his screen and his audience. Still, many of the devices he uses are vintage Bergman. Gaunt Max von Sydow, for example, plays the archteypal Bergman male--weak and childish, incapable of even killing a hen for supper, leaning on Liv Ullman, his strong loving wife (much like Gunnar Bjornstrand and Eva Dahlbeck in a happier film, Smiles of a Summer Night...
...pace is familiar. Play Dirty plods across the screen like a camel in a sandstorm. In that desert in 1942, a smartinet officer (Michael Caine) is assigned to blow up an oil depot of Rommel's desert rats. But the officer has rodents of his own-junkies, homosexuals, thieves, who compose his squadron. Only proper, announces his commandant, since "war is a criminal enterprise." So is Play Dirty, which leaves no oases of taste or drama along its route. There is also no room for Caine, a skilled actor, to display his talents in a war picture that could...
...movie is by no means realistic. There is here no simple or indifferent recording of events. Time is distorted. Important actions--the breaking of a plate, for example, that symbolizes the start of the mutiny--are shown from several different camera angles. Actions are expanded on the screen until they have what the director considers to be their proper psychological weight...
...machine gun bullets, interspersed with air raid sirens. The slides and music literally assault your senses, but they assault the dancers as well; at the end of the movement, when the dancers stretch their agonized hands high in the air, their shadows projected 20 feet high on the screen behind them, they are not groping only for themselves...
Applehurst's cheery district nurse is to be killed off in one of the next few installments, leaving June Buckridge without a job and without the identity she has built since the start of the serial six years ago. Off-screen she has a tendency to get drunk, still spouting the platitudes of Sister George--along with her own opinions. Beryl Reid plays her scenes with a witty flair that none of the other characters ever approaches...