Word: screen
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Dates: during 1960-1969
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...were always special. After school, youngsters hitched heavy canvas bags over their shoulders and set out through sycamore-shaded streets. They crisscrossed the broad lawns in front of white frame houses, tossing parcels from their bags up under porch swings and wicker chairs on the wide, front verandas. Then screen doors would squeak and bang, and children would squabble over who would carry them inside. A new issue of the Saturday Evening Post had arrived...
...take another example: censorship is not an absolute evil. If it is discovered that portraying violence on screen has harmful effects, it is one's social duty to require that violence on TV be censored. Every person, in every specific case, has to go through with this process of balancing the good against the bad and coming to a decision to act in a certain way. If this is a frighteningly vague guideline, it is so of necessity. No one can evade the responsibility of choosing a position on the basis of the facts of a particular situation by taking...
...bottom. Then it's going to be pretty rough surfacing through the ice. One final word: as you move about the ship, please try not to stumble over or stare into the Super Panavision equipment. You men may think it's a nuisance to have a wide-screen camera in such cramped quarters, but it's all part of our real mission-to convince those people out front that this is more important than it really...
...would dare to cast doubt upon his masculinity-no one but Callan himself. Irresistibly attracted to a young private named Swanson (John Phillip Law), Callan follows him around town, grows jealous of Swanson's girl friend (Ludmila Mikael), and eventually reveals himself with what may become the screen's new cliche: a mouth-to-mouth, homosexual kiss. The breakdown follows as inevitably as taps follows lights...
...acting Swanson as if he were a stricken deer, is literally driven off-screen by Steiger's agonies. Twitching his mouth into a tortured smile, roaring with a rage and a fondness he cannot separate, Steiger makes the sergeant's internal struggle so fascinating that all other personalities seem superfluous...