Word: screen
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Dates: during 1990-1999
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...Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately, these po-mo asides don't detract from the fact that one man's yuppie angst has spawned an entire world where violence...
...office hours, though none ever do. Restaurant workers peer forlornly out from the one open counter, looking in vain for someone, anyone to serve. It's like you've set foot on the set of The Iceman Cometh, except O'Neill's drama now includes a giant, bizarre LED screen, the most conspicuous waste of energy at Harvard since the formation of the Undergraduate Council...
...Clockwork Orange-esque rejoicing in mayhem that characterizes so much of the movie is contrasted with its many self-referential moments (without giving too much away...): the bizarre walk through the IKEA catalog; the moment when movie projectionist Tyler Durden, discussing the "change filmstrip" blip that appears on movie screens, points to the one on the screen of the movie he is in; and a final revelation about the relationship between Durden and the narrator. Unfortunately, these po-mo asides don't detract from the fact that one man's yuppie angst has spawned an entire world where violence...
...encounter with tequila that had its most lasting effect. That entire summer after I returned from Mexico, I didn't think. I would sit on buses and have not a single thought flicker on my screen. Emptiness, numbness. I had never felt it before. I loved...
...most successful filmmaker in history subject himself to these dicta, jotted down in half an hour by a couple of daffy Danes? Why would any director toss away the tools of power and sorcery that the movies have spent a century developing? No 150-person crew, no wide screen, no post-synchronizing of dialogue, no flashbacks, no E.T. or dinosaurs. No tripod for the camera. And no director's credit...