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...goes, building by building, lot by lot. Every garbage can without a lid, every window screen that had been nudged aside just enough to let a rat slip by, grease marks from rat hair along a concrete wall - it all gets noted and pinpointed on the map. "We train our inspectors to see what everyone overlooks," says Corrigan, echoing Sherlock Holmes. "This is a living laboratory. There's probably 100 variations in rat colonies in New York as to how they behave...

Author: /time Magazine | Title: Mapping the Rats in New York City | 12/15/2008 | See Source »

...Others will wonder at the odd lack of dramatic incident among all the warfare. But you really can't argue with Buchman and Soderbergh about the movie they didn't make; a viewer must accept that they meant these to be bold strategies, and judge what's on the screen...

Author: /time Magazine | Title: Guerrilla in the Mist: Soderbergh's Che | 12/13/2008 | See Source »

...Laura Bickford, who produced Che with Del Toro, says that the first part (shot in the 2.35:1 scope ratio) is "more of an action film with big battle scenes," and the second part (shot in standard 1.85:1 wide-screen) is "more of a thriller." Actually, neither tag truly applies. Though Part 1 begins by hopscotching from 1955, when Castro and Guevara meet, to later scenes in Havana and New York, the film is far less interested in explaining Guevara's political importance than in showing how he operated in the two big campaigns; its mantra is process...

Author: /time Magazine | Title: Guerrilla in the Mist: Soderbergh's Che | 12/13/2008 | See Source »

...influences Dziga Vertov and Bruce Conner, whose work veered into social and political commentary, Dorsky seems more concerned with the level to which the individual viewer participates in the film’s meaning. Dorsky says, “Hopefully, if it’s successful, subject matter, screen, and the audience aren’t separated by concept.”Dorsky has penned one acclaimed work on film theory—“Devotional Cinema”—where he expands upon an approach to filmmaking that encapsulates his vision. Between screenings, he discussed...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Nathaniel Dorsky | 12/12/2008 | See Source »

...empowerment, an embarrassed and resentful wife, and a deeply loving and protective mother. The Oscar-winning Steenburgen portrays each of these facets with tenderness and commitment. A host of other talented actors pop up in the film, including Ted Danson, Bill Pullman, Eliza Dushku, and Danny DeVito. With limited screen time, however, none are given the opportunity to develop into full-fledged characters. “Nobel Son” was filmed in 2005 and languished in postproduction hell for several years. The editing process was clearly fraught with difficulty, as many elements of an excellent film are present...

Author: By Evan T. R. Rosenman, CONTRIBUTING WRITER | Title: Nobel Son | 12/12/2008 | See Source »

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