Word: screenful
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...tested the Storm's clickable screen last week when I met with Mike Lazaridis, president and cofounder of Research In Motion (RIM), BlackBerry's maker, in New York City - and I was impressed. You can press the screen to confirm menu choices, launch Web pages and open applications, a novel feature you won't find in other phones. After selecting, say, which e-mail message you want to read, you can open it by gently pressing on the screen - it actually sinks into the casing as you press, with a satisfying "click." The screen functions just like a mouse click...
...Storm eliminates that problem with the clickable screen. It further improves the touchscreen experience with two other features designed to separate navigation and confirmation, which, Lazaridis told TIME, is the trademark of the Storm. One is the virtual keyboard: each letter lights up as you tap it so you know instantly whether you hit the right key. The second is the cursor: as you move your finger across the screen, a small arrow - which looks like a mouse cursor - appears to show exactly where your finger is pointed. Then, to confirm your selections, you push down on the entire screen...
...where Dorfman himself presides, and a big love seat, where two men can sit without accidentally touching. The focal point of the Man Cave, of course, is the high-definition TV, a once state-of-the-art-and now relatively puny-36-in. (91 cm) liquid-crystal-display (lcd) screen. "Want to watch the Michigan game?" I asked him on a recent Saturday morning. "The Man Cave?" he offered, as usual...
Other noteworthy features include the built-in GPS, a media player and landscape mode for viewing Web pages horizontally and typing e-mails. (The iPhone 3G does not let you type e-mails in horizontal mode.) The screen is about the same size and resolution as the iPhone, while the built-in camera is slightly better at 3.2 megapixels, vs. 2.0 megapixels on the iPhone. You can also record video - a feature strangely lacking on the iPhone...
...could no longer beg. As she told her character’s story, Smith bent over in her chair and raised her left hand to her face, letting her body tremble in pain. But, when a photograph of the real Henriette Mutigwarba appeared on a screen, it suddenly became clear that Anna Deveare Smith was an impersonator. The all-consuming pain that Mutigwarba must have felt was only imitated onstage; she was the only one who could truly experience her emotion. Smith thus revealed her position as a medium through which these people’s stories could be told...