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...more specialized fare, Wes Anderson's stop-motion-animation delight Fantastic Mr. Fox, with George Clooney contributing his voice to the Roald Dahl children's classic, purloined a so-so $7 million in its first weekend of wide release; it earned about the same per-screen average as the much feebler animated feature Planet 51. The Road, with Viggo Mortensen enduring many a hardship in the film version of Cormac McCarthy's post-apocalyptic novel, took in a sturdy $1.5 million at 111 theaters, to finish a mere $10,000 behind Clooney's 10th-place The Men Who Stare...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

...hotly disputed method. Studies on its use in autistic patients have shown that caregivers - often in an earnest desire to help the patient - are sometimes themselves controlling the typing. Some of the news footage of Houben appears to show him and his therapist typing on his computer screen with his eyes closed. Earlier this week, Arthur Caplan, a bioethics professor at the University of Pennsylvania, told The Associated Press that Houben's communication was "Ouija board stuff. It's been discredited time and time again...

Author: /time Magazine | Title: Awaking from a Coma: What Did the Doctors Miss? | 11/28/2009 | See Source »

Michael Kenneth Williams' portrayal of Omar Little, the iconoclastic shotgun-toting stickup artist in the HBO drama The Wire, earned praise from critics, peers and gangsters alike. With David Simon's Baltimore saga wrapped up, Williams has moved to the silver screen, where he has a part in director John Hillcoat's adaption of Cormac McCarthy's postapocalytic novel The Road, in theaters Nov. 25. Next year, he'll build on that with roles in Antoine Fuqua's Brooklyn's Finest and a new HBO series helmed by Martin Scorsese. Williams talked to TIME about his early career...

Author: /time Magazine | Title: Actor Michael Kenneth Williams | 11/25/2009 | See Source »

...Twilight. Up to a point. "I wanted it to look more old-fashioned than the first movie," he says. "Hardwicke's film was very contemporary, very stylish. Very immediate. That was great. But not me. I'm a bit of an old fogy. What I wanted was wide-screen epic...

Author: /time Magazine | Title: It's Twilight in America: The Vampire Saga | 11/23/2009 | See Source »

Consider the way we read online. By tracking people's eye movements, Nielsen figured out that our focus moves around the screen in an F pattern. We start scanning horizontally, but pretty soon we're dropping down to see what else is there. By the time we're halfway down a Web page, we're tuning...

Author: /time Magazine | Title: What Gets Lost When Our Finances Go Paperless | 11/23/2009 | See Source »

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