Word: screenplays
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Dates: during 1950-1959
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Before the guessing game started, Producer King and his two brothers were tagged with a $750,000 piracy suit by the Nassour brothers, independent film producers, who charged that The Brave One was lifted from a story they have been animating for the last four years. Nassour's screenplay was done by Paul Rader, 33, now a Boston television producer, who adapted a script written by Willis O'Brien, the Hollywood special-effects man who put the chill into oldtime movies, e.g., King Kong. After the Oscar-awarding show, Rader got a wooden Oscar from his co-workers...
Perhaps the most encouraging thing about the film is that for once Hollywood permitted a playwright, N. Richard Nash, to write a screenplay which did no serious damage to his original. Nash has a pleasant story to tell. It concerns a brash, fast-talking confidence man who rides into a drought-stricken prairie town and promises to make rain. And he makes rain, too, but not before teaching a girl on the verge of settling down to becoming an old maid something about the power of faith in dreams. All this, including the symbolism involved, comes dangerously close to banality...
John Patrick's screenplay is almost identical to his play, an effective satire of the attempt of the U.S. Government and Army to bring American democracy and values to the inhabitants of Okinawa after the war. Thanks to Marlon Brando, Glenn Ford, Cinema scope, and Warnercolor the movie is better than the play...
...good deal of the screenplay seems as dated today as the idle rich. Grace Kelly sings a duet with Crosby in a cool, innocuously pleasant little voice, does an alcoholic rumba with Sinatra, and looks thoroughly patrician, but she lacks the gawky animal energy that Katharine Hepburn brought to the 1939 play and the 1941 movie. Crosby seems as comfortable in the role of a singing millionaire as only a singing millionaire (which he is in real life) can be. but saunters through the part rather sleepily, without much of the old Bing zing. Sinatra plays the reporter like...
...visible reason, John (Teahouse of the August Moon) Patrick's screenplay detours the action from the Philadelphia Main Line to the equally posh confines of Newport. There, frosty and imperious Tracy Lord (Grace Kelly) delicately dithers over the three men in her life: her ex-husband, C. K. Dexter-Haven (Bing Crosby), an aristocratic jazz devotee who insists on calling her "Sam"; her husband-to-be, George Kittredge (John Lund), a stuffy fellow; and brash Reporter Mike Connor (Frank Sinatra), who is on hand to cover the wedding for a picture magazine. The romantic field is soon winnowed down...