Word: screenplays
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Dates: during 1980-1989
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...farmer who dares to stand up to Big Business developers. But for a while it looked as though the motion picture might be better remembered as Robert Redford's Alamo. Even before filming began, Redford was daunted by the task of rendering John Nichols' 1974 novel into a suitable screenplay. "There were several attempts made," he recalls. "It was very, very difficult." Then, shortly after arriving on location in New Mexico last summer, Redford was buffeted by bad weather and stormy relations with the locals. He was forced to move the shooting from Chimayo, a community 20 miles north...
...cast that includes Ryan O'Neal as Madden, Isabella (Blue ; Velvet) Rossellini as his smoldering old flame and Newcomer Debra Sandlund as his estranged spouse. It is part of a two-picture deal Mailer has with Cannon films; the other part, already completed, was to write a screenplay for Jean- Luc Godard's King Lear...
...Tough Guys screenplay is also by Mailer, but while the novel took two months to write, the film took three times as long. "It was tougher than I thought it would be. Scenes that read well on the page wouldn't play well." The motivating greed that drives the plot wound up being shifted from real estate to cocaine, and some of the gorier scenes were muted. "A horror film has to be delicate or it becomes a butcher shop," explains the author. There was also a larger difference. "When you're a novelist, it's all yours and your...
...there is a catch. Before a producer receives military assistance for a TV or movie project, the screenplay is reviewed by officials at the Department of Defense and by each of the services involved. The Pentagon ends up rejecting many projects that come its way on the grounds that they distort military life and situations. An Officer and a Gentleman, which like Top Gun dealt with naval aviation training, was turned down because of its rough language, steamy sex and, to the military mind, inaccurate view of boot camp. The Pentagon said no to WarGames because the military contends that...
...developed the screenplay, Byron stripped the narrative of interstices and "intrigue" so that there would be less interaction among the main characters, and the vision of Virgil would be filtered through the Narrator's unblinking eyes. It is through his outsider's eye that the good people of Virgil are viewed. Yet an unusual symbiosis takes place. The Eastern sharpies in the film's crew and the hard-caked rurals whose town they invade get along just fine. Earl Culver and Louis and the Lying Woman and the rest, while remaining very much their idiosyncratic selves, easily form the newest...