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Word: screenplays (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...Hare could be up for another Oscar nod this year for his latest screenplay, an adaptation of Bernhard Schlink's novel The Reader. The film, with Kate Winslet and Ralph Fiennes, follows a German teenager's love affair with an older woman he later discovers was a Nazi concentration-camp guard. For Hare, it's both a meditation on truth and reconciliation, and an exploration of how ordinary Germans became complicit in Nazi horrors. The Reader revisits his signature subject: how personal responsibility meshes with historical events. And it underlines his role as modern theater's great connector, examining...

Author: /time Magazine | Title: David Hare: Truth to Power | 1/14/2009 | See Source »

...movie Buona Sera, Mrs. Campbell, remade with ABBA songs as Mamma Mia! Many a memorable MGM musical - Meet Me in St. Louis, Yolanda and the Thief, Ziegfeld Follies and (uncredited) The Wizard of Oz - sprang from the typewriter of Irving Brecher, 94. After writing the Bye Bye Birdie screenplay, Brecher began a retirement that lasted 45 years. I wish the same...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

...wrote scripts based on his own novels and those of other crime writers, incl. Jim Thompson's The Grifters (Oscar nomination) and Patricia Highsmith's Ripley Under Ground. He knew the difference in the two crafts: "If I write a novel, I'm a god. If I write a screenplay, I'm a minor deity." Westlake died of a heart attack New Year's Eve while on a rare vacation, in Mexico...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

...screenwriter as well as a novelist, Westlake received an Academy Award nomination in 1991 for his screenplay for The Grifters and won the prestigious Edgar Allan Poe Award three times from the Mystery Writers of America...

Author: /time Magazine | Title: Donald E. Westlake | 1/9/2009 | See Source »

...several remarkable things about this austere and masterly movie - which may remind cinephiles of the calm clarity and seeming simplicity of the French master, Robert Bresson - is that Bégaudeau is playing a version of himself, in a screenplay of his own devising that is in turn based on a novel that he also wrote. It is hard to think of another film more tightly autobiographical than this one. It's even harder to think of other films that build so gripping a narrative out of a string of comparatively minor and disparate incidents. For its first few minutes...

Author: /time Magazine | Title: The Class: A Year in the Blackboard Jungle | 12/17/2008 | See Source »

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