Word: screenplays
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...such as Burger King Disney made sure that Buzz, Woody, and all their friends were everywhere. It wasn't merely a money-maker either. Pixar handled the animation and writing side and achieved critical success. Toy Story is the first animated feature to ever be nominated in the Best Screenplay Written Directly for the Screen category and it received numerous nominations and awards in the areas of animation, music, direction, special effects, and more. As Peter Scheider, president of Walt Disney Studios explains, "Disney and Pixar have been partners for over ten years now and the relationship is a seamless...
John Irving's rural sprawl of a novel becomes, in his screenplay, a small epic with subtle strengths. The setting is harsh--a Maine orphanage in the early '40s, with war and sexual abuse looming--but the mood is warm and precise, as a flinty, laudanum-addicted doctor (the excellent Michael Caine) tutors his brightest charge (Tobey Maguire, the most watchful of young actors) to be his protege. Hallstrom, here as in My Life as a Dog and What's Eating Gilbert Grape, lets the characters carry the story without allowing the actors to push too hard. This...
...creation: He was funny. Or if funny is the wrong word, sort of pathetic in a way. I mean he was flamboyant and he was boorish and obnoxious. The documentary conceit has the effect of making the story feel distant and made-up, but it also allows the screenplay to be uninhibited about making the characters into pure flights of fancy, without worrying too much about contradiction or consistency. The movie is more interested in portraying what we might imagine the life of a 30s jazzman would be like than getting bogged down in the nitty-gritty aspects of biographical...
...Flawless intends to be something of a comedy, and while it does elicit some chuckles, the screenplay has precious few original moments, comedic or otherwise. At one point, Rusty says: "Theres no romance without finance." It's a joke of "Golden Girls"-caliber at best, but the film tries to pass it off as a piercing one-liner. Meanwhile, the story about Walt and Rusty is further marred by a useless and laborious subplot about a gangster trying to find out who has his money...
...director, Schumacher effectively conveys the down-and-dirty grit of New York, but as writer he should have spent more time exploring the down-and-dirty grit of his protagonists. The screenplay itself does precious little to expand upon the two stereotypes of a bigot and a drag queen. That task falls into the actors hands. Fortunately, De Niro and Hoffman have very capable hands indeed, and they almost manage to elevate the script in spite of itself not quite, but almost...