Word: screenplays
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What we see in all of Kubrick's work, as varied in subject and style as it may be, is an attempt to create something more than a movie. Kubrick was known for his attention to good storytelling in a screenplay, but the real impact of his films is not in the tales that they tell but the ideas they present. he has often been criticized as being too clinical in his treatment of troubling subjects, of not taking a moral stand against the problems he portrayed. But that distance Kubrick maintained from his subjects was perhaps his greatest strength...
...Shakespeare' Screenplay Cut Corners for Convenience
Unfortunately, the screenplay (by Kenneth Lonergan and Peter Tolan) goes downhill from there, and the stock Freudianisms-initially the objects of satire-start to take over. Worse, the film begins to take them seriously. The story of Paul's guilt over his father's murder (a murder he witnessed) contains every cliche imaginable, and could have been ripped wholesale from a Z-grade movie-of-the-week. The cheap psychology is necessary to the comedy, but it gets bogged down in its own lack of depth. Paul's cathartic moments feel as if they were intended to be touching...
...another excuse for beautiful Clearasil poster children to cavort in trendy togs and perform breathtaking cell phone stunts. It screams designer soundtrack and even more designer reality, every honest fiber of your being wants to oppose it. In your snider moments, you deprecate that you could write this screenplay your-self. Let's be honest about it: Robert Iscove's debut film feature breaks no new ground...
...plot weight, Prinze's character receives much more emphasis than any other. The scrawny effort to inflate his persona, with the injection of an overbearing father and the angst of being too overachieving, is pitiful--but Prinze carries it off with a demeanor that cries, "Who needs a viable screenplay with a face like this...