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With the emergence of Joseph Fiennes, Hollywood has discovered another talented leading man. His performances make both films worth seeing, though Shakespeare in Love is the better deal in the package. Gwyneth Paltrow is simply more engaging than Cate Blanchett is, though perhaps the fault lies with the screenplay and cinematography rather than with the innate abilities of the actresses. Paltrow, Rush, and Dench will compete for the little golden boys on Oscar night. But if pitted against Spielberg and a world war, they would probably have to defer to Goliath this time around...

Author: By Judy P. Tsai, | Title: CINE MANIC | 2/12/1999 | See Source »

Though there is no dispute over the writing credits, Norman admits he is beginning to feel "burned" by hearing the movie repeatedly called Stoppardian. He says, "In terms of the story, structure and the language--I accomplished that in my screenplay." But both men confirm that many of the jokes that dazzle past--the Stratford-upon-Avon mug; the pub waiter offering a special of "pig's foot marinated in juniper vinegar served on a buckwheat pancake"--are indeed Stoppard...

Author: /time Magazine | Title: The Scene Stealers | 1/25/1999 | See Source »

...seven days they searched for Gurule while I wrestled with guilt both about my deranged fantasies and about the mid-seven figures I was hoping to get for this really neat screenplay I'm working on about his escape. I felt a little better when I found out a co-worker and several other friends were secretly rooting for him too. Even my grandmother, who I don't think is rooting for me, was pulling for that wily Gurule...

Author: /time Magazine | Title: Rooting for the Death-Row Fugitive Guy | 12/14/1998 | See Source »

...this is a nearly shot-by-shot recapitulation of the film and an almost verbatim rereading of Joseph Stefano's terrific screenplay. Why do it? One reason: it's never been done. Another: Psycho, which spawned a festering genre of slasher films, has been ripped off a zillion times--surely it can be remade just this once. And finally: let's set a test for today's actors, encrusted with decades of Method mannerisms. Can they assimilate the smooth delivery of the 1960 cast...

Author: /time Magazine | Title: Cinema: Psycho Therapy | 12/14/1998 | See Source »

...homosexual Whale. Lynn Redgrave, heir to her family's tradition of great acting, takes on the role of Hanna, the staid housekeeper who mediates between Whale and Boone with notable sensitivity, making sympathetic a character who could have been made merely boring in less talented hands. The screenplay too, authored by director Bill Condon, is unflaggingly sharp...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: HIGH ART IN `MONSTERS' | 12/4/1998 | See Source »

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