Search Details

Word: screenplays (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Soul Food into production. Kenny ("Babyface") Edmonds, one of the most powerful figures in the music industry--he has penned hits for Madonna, Toni Braxton and others--produced it with his wife Tracey. Fox 2000 head Laura Ziskin gave the project the green light just days after reading the screenplay. The film was a labor of love for Tracey Edmonds, who was pregnant throughout preproduction and gave birth to a son, Brandon, shortly before shooting began. Says she: "Kenny and I had the same vision and the same tastes. Most people expect that if you make a movie with your...

Author: /time Magazine | Title: CINEMA: COOKING UP A HIT | 10/13/1997 | See Source »

...what does the future hold? Ashong wants to go to Los Angeles after he finishes his last semester here, meet with some of the contacts he made last spring and possibly begin turning his musical into a screenplay...

Author: By Brendan H. Gibbon, CRIMSON STAFF WRITER | Title: From Harvard To Hollywood...(And Back Again) | 10/10/1997 | See Source »

...that the same Catherine that Henry James had in mind? Holland, a writer in her own right--an Oscar nominee for writing Europa, Europa, she also authored the screenplay that became Krzysztof Kieslowski's Blue--is sensitive to the special demands of adapting existing material to the screen...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: Ms. Holland Goes 19th C | 10/10/1997 | See Source »

...Wenders is thinking on a larger, more philosophical scale, which is exactly what he wants the audience to do. Violence, as far as this film is concerned, represents all of the perversions in modern life, everything that pushes us farther from an ideal and harmonious existence. In his convoluted screenplay Wenders takes aim at human greed and the scary implications of having too much technology...

Author: By Erwin R. Rosinberg, CRIMSON STAFF WRITER | Title: Some Technophobia for Everyone | 10/10/1997 | See Source »

...screenplay's fundamental fault is its lack of cohesiveness. The movie fluctuates between drama, mystery and unclassifiable postmodern meditation on the evils of our society. Some dark comedy is occasionally juggled in as well. All this prohibits any real character development, and the frequently ambiguous, double-edged dialogue doesn't help form personalities...

Author: By Erwin R. Rosinberg, CRIMSON STAFF WRITER | Title: Some Technophobia for Everyone | 10/10/1997 | See Source »

Previous | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | Next