Word: screenplays
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...hands of the members (they'll be announced on February 2) the two ceremonies boosted the pedigree of Avatar - now it's not just the runaway blockbuster of the millennium - and dented the chances of an early Best Picture favorite, Up in the Air, which won only a screenplay award from each group. Bridges gets a leg up over his main rival, Up in the Air's George Clooney; and Bullock, once a long shot for a Best Actress nomination, now looks to be short-listed with Streep, as well as becoming the first actress to have a $200 million...
Rohmer came to film renown late - he was past 50 by the time My Night at Maud's was nominated for an Oscar for Best Original Screenplay. But he came into film early. Born Jean-Marie Scherer in the province of Lorraine, Rohmer moved to Paris, taught literature, worked as a reporter, wrote a novel. In 1950 he co-founded the Gazette du Cinéma with two other future filmmakers, Jacques Rivette and Jean-Luc Godard. Within a few years they - and François Truffaut and Claude Chabrol - were writing for Cahiers du Cinéma, which Rohmer...
...month. The first two, The Men Who Stare at Goats and Fantastic Mr. Fox, are already withering at the wickets. Up in the Air, though, is soaring. The Jason Reitman comedy-drama, with Clooney as a corporate hired gun and frequent flyer, has swept awards - best film, actor and screenplay - from the National Board of Review and the Washington D.C. Area Film Critics Association. That plus a fruitful 91% rating from Rotten Tomatoes, top critics. (Read "Clooneypalooza: A Star Is Airborne...
...Best Picture Oscar after its premieres at the Telluride and Toronto film festivals. The National Board of Review, the first big group to announce its year-end awards, showered Up in the Air with four major laurels: best film, actor (Clooney), supporting actress (Anna Kendrick) and adapted screenplay. The picture, which comes to your neighborhood on Christmas Day, nudged two other Clooney movies, Fantastic Mr. Fox and The Men Who Stare at Goats...
...Saakashvili said the big-budget film was not financed by the Georgian government. "We have enough trouble funding our local directors," he said at the Ukraine gathering, which TIME attended. But the author of the screenplay, David Imedashvili, tells TIME that the initial funding for the project came from a Georgian government fund. Projects like this, he said, give Georgia a rare chance to hit back at its bullying northern neighbor. "Georgia is a very small country, Russia is a giant," Imedashvili says. "It's idiotic to fight a war with Russia, but we have to do something. We have...