Word: screenplays
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...must have been aware that it would be a potentially controversial film. What made you think it would be a good investment? I wasn't even thinking anywhere near that. I was thinking of getting the rights and writing the screenplay, and what came later came waaaaay later. We just thought it was the greatest story to address the American West. I instantly thought, "Wow, why didn't I write...
...obsessive and addicted multitasker and gadget user," Klein cheerily concedes. A typical moment at her office finds Klein reviewing a screenplay by phone with its writers and jotting notes while glancing at an incoming e-mail on her BlackBerry, motioning signals to her assistant and firing off an instant message to a studio exec. "Here's how bad it is," she confesses. "When I'm flying, right before the plane lands, before the seat-belt sign goes on, I get the BlackBerry out and put it in front of me in the seat-back compartment. That way I can turn...
...from my point of view," Jones says, "and Arriaga feels that way about his country. You can't spend a lot of time in the Rio Grande Valley without realizing that those countries are the same." The two men's collaboration worked out handsomely: they won the actor and screenplay prizes at Cannes...
...level of the city. Show folks, politicians, criminals, and, yes, the cops who have to untangle the messes the make, work out their fates. To say that Paul Haggis's film is multi-layered understates the case. But there is great clarity in his direction, shrewd observation in the screenplay (which he wrote with Robert Moresco and rafts of terrific acting-most notably by Matt Dillon as a racist cop who becomes the reluctant hero of the piece-in this smart, intelligently observed film...
...sexuality in a uniquely American context, where the tangible beauty of our mythic West collides with the hidden sores of a repressive social order. Lee’s film is incredibly literary, stunningly photographed, and features flawless performances from its typically unimpressive cast. The film’s screenplay is its greatest strength, despite its relative simplicity. Based on a short story by Annie Proulx and adapted by Larry McMurtry and Diana Ossana, the film has a literary punch rarely seen in Hollywood films. The dialogue is limited but pointed, and the script is more interested in calling up powerful...