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...Miserables.” Either would have been preferable to Columbus’ middle-of-the-road approach: “Rent”’s schizophrenic shifts between dramatic scenes and musical set pieces are better suited to Bollywood than Hollywood.Steven Chbosky’s screenplay also disappoints. He does little more than transcribe the musical’s libretto: almost all of the film’s dialogue—even that which is not sung—rhymes. This gives the movie an unfortunate Seussian feel, and drains the tension from the film?...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: Rent | 11/17/2005 | See Source »

...Japanese film derives much of its strength from its claustrophobic confinement to a horrendous time and place. Haggis' work gains its power from its confident range. The screenplay starts with the Americans on the beaches and the protagonists raising the flag. It follows them on their vulgar war-bond tour (they were obliged to re-enact the flag raising on a papier-mch Suribachi at Soldier Field in Chicago) and then traces their postwar descent into dream-tossed anonymity. You could argue that the Japanese were the lucky ones: their government and religion foreordained their fate, and they...

Author: /time Magazine | Title: Movies: Clint's Double Take | 11/9/2005 | See Source »

...last of its budget), Wolf Creek was snapped up by the wily Weinstein brothers for international release. Opening in the U.K. in September, it grossed $3 million, roughly three times its budget; late last month it was nominated for seven Australian Film Institute Awards, including Best Director and Original Screenplay for Mclean. Fueling the buzz were reports of hardcore violence, including finger slashings and execution-style murders, which managed to earn the film a respectable four and a half skulls on the gore connoisseur website bloody-disgusting.com...

Author: /time Magazine | Title: A Killer on the Road | 10/31/2005 | See Source »

...film was released to enormous critical acclaim in Australia, garnering five Australian Film Institute Award nominations, including one for Best Adapted Screenplay...

Author: By April B. Wang, CONTRIBUTING WRITER | Title: Tony Fingleton's Victory Lap | 10/27/2005 | See Source »

...entertaining books about his life--Man in Black and Cash: The Autobiography--that don't suffer much for not being entirely candid. But when director James Mangold (Girl, Interrupted; Cop Land) and his wife and producing partner Cathy Konrad (Scream, Identity) started to mine Cash's tales for a screenplay about his early struggles with drug addiction and his relationship with wife June Carter Cash, they hit dead ends. "There are enormous holes in those books," says Mangold. "We wanted to dramatize a period of several years, but all we had to go on was his saying, 'I was taking...

Author: /time Magazine | Title: Movies: Backstory: When Did It First Start To Burn? | 10/23/2005 | See Source »

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