Word: screens
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Dates: during 1940-1949
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...good war picture is a fine thing to see, but one which is obviously a large piece of Hollywoodized propaganda is difficult to stomach. Perhaps it's the monotony of seeing one atrocity after another dragging its bloody stump across the screen, but this corner just thinks the show is poorer than average...
...actor started composing at 18, modeled his work after his idols Bach and Handel, in 1942 orchestrated McDowell's Sea Pieces (originally for piano). Said Barrymore of Sevitzky: "We don't know each other and yet are good friends. He sees me one day on the screen and I listen the next to his recordings and we understand each other...
...complex wound, to climb a bunker and clean out its far side with rifles, flamethrowers, grenades. There is the weird, exquisite variety of individual expressions of skill and fear, which are the cross-texture of the violence of combat. Smoke, ruined palms, a boundless sense of death choke the screen. Men quickly fire into blindness, take quick cover, each moving jerkily with a quality of loneliness in the midst of action with which no loneliness of peace is comparable...
...puts a lot of warmth into her characterization, a lot of heat into the songs Now I Know, Tess' Torch Song. But the heart, liver & lights of this cinemusical is Danny Kaye (of Broadway's Lady in the Dark and Let's Face It), making his screen debut. Kaye's mimicry, patter and general daftness are as deft as a surgeon's incision...
...woolly lambs fit to lie down with any lion. Last week a similar idea was expressed in Princeton's Public Opinion Quarterly by Gregor Athalwin Ziemer, who once ran the American Colony School in Berlin (1928-39), then wrote Education for Death (Hitler's Children on the screen). Said Ziemer...