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Word: screens (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...present. This one, the third floor, is being used for work in electromagnetic radiation, solid state physics, and physical electronics. The group experimenting in electromagnetic waves also uses a penthouse on the roof of the building for antenna research. A unique feature of this installation is a ground-screen on top of the penthouse that will give the scientists the equivalent of an infinite plane for their experiments...

Author: By Richard H. Ullman, | Title: Million-Dollar McKay Laboratory Opens | 10/16/1953 | See Source »

...Miss Sullavan realizes that she has made an error, she can find solace in the casting of her co-star. Joseph Cotten, one of the screen's top soft-spoken actors, is supposed to act power-mad, wild and unharnessed...

Author: By Arthur J. Langguth, | Title: Sabrina Fair | 10/16/1953 | See Source »

...Robe is familiar in formula, its format is different. While the CinemaScope process does not create a sense of depth so great as in stercoscopic films, one does feel the solidity of both actors and sets. The curving screen, however, two-and-a-half times as wide as it is tall, presents unique problems of composition. Director Henry Koster carefully avoids small grouping of actors, but when close-ups are necessary, vast expanses of background distract to the right and left...

Author: By A. M. Sutton, | Title: The Robe | 10/16/1953 | See Source »

...heart attack; in New York City. A policeman's son, he learned to sing by memorizing popular recordings, mimicking what he heard. As "Paul Oliver" on radio's Palmolive Hour, he became a nationwide favorite. In 1931 he dropped the pseudonym, and, never appearing on stage or screen, became star soloist on NBC's weekly Album of Familiar Music, Waltz Time...

Author: /time Magazine | Title: Milestones, Oct. 12, 1953 | 10/12/1953 | See Source »

...first wide-screen CinemaScope epic, soth Century-Fox's The Robe, was breaking box-office records all over the country. Manhattan's Roxy Theater reported a first-week gross of $264,000. It was the same story in Chicago, Los Angeles, Philadelphia, Pittsburgh, Kansas City and San Francisco. Foxmen dreamily talked of total earnings topping Gone With the Wind's record $35 million take. Hollywood Reporter Columnist Mike Connolly wrote: "The Robe just has to be the greatest grosser of all time. It might even outsell the Bible...

Author: /time Magazine | Title: Cinema: Birthday of the Revolution | 10/12/1953 | See Source »

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