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Word: screens (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Based on Uncle Clem's Boy, by the late Mrs. Will Rogers (played by Jane Wyman), the picture traces Rogers' career from Oklahoma cowpuncher to Wild-West-show trick roper, vaudeville lasso artist-monologist, and poet lariat and sagebrush sage of stage, screen, radio, banquet table, speakers' platform and syndicated column. The picture ends with Rogers' death at 55, during an Alaskan flight with Wiley Post...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 28, 1952 | 7/28/1952 | See Source »

...never lost a war or won a peace.") To bolster its just-folks plot, the movie throws in a couple of production numbers from the Ziegfeld Follies, in which Rogers starred. But it is in Will Rogers Jr.'s performance that his father comes most alive on the screen: the familiar slouch with hands jammed in pockets, the unruly forelock, the sheepish grin, the shambling wisecracks delivered in his famous gumchewing drawl...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 28, 1952 | 7/28/1952 | See Source »

Died. Dr. Walter Van Dyke Bingham, 71, the Army's chief psychologist (1940-47), who helped devise the battery of psychological tests and interviewing procedures used to screen World War II draftees, of a heart attack; in Washington...

Author: /time Magazine | Title: Milestones, Jul. 21, 1952 | 7/21/1952 | See Source »

When their invalid mother dies, Paul and Elizabeth move to a seaside hotel and then to an 18-room town house, where they screen off one corner of a vast, jumbled gallery. But by then the outside world-in the persons of their friends Agatha and Gerard, who have fallen in love with them-has pried open the door to their secret chamber. The two children who refuse to grow up are unable to survive the sudden, chilling glare of reality...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 21, 1952 | 7/21/1952 | See Source »

...pathological recesses and phantom feelings is, in Jean-Pierre Melville's direction, as effective cinematically as it is poetic. As in Cocteau's 1948 movie, Les Parents Terribles, the camera roves freely and fluently through the disorder of the children's room. There are odd, feverish screen compositions, e.g., the great, grappling close-up in which, as Agatha tells Elizabeth of her love for Paul, only Agatha's forehead is seen on the screen, with Elizabeth's strange, grey face hanging above it. As the Cocteau children, Nicole Stephane with her short, curly hair...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 21, 1952 | 7/21/1952 | See Source »

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