Search Details

Word: screens (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Hitler Germany's greatest stars, "Lisl" Bergner fled the country in 1933, scored a series of brilliant U.S. and British stage and screen successes (Stolen Life, The Two Mrs. Carrolls, Escape Me Never, Catherine the Great). But in the years just after the war, the Hollywood magic somehow gave out; Bergner appeared in a succession of stage flops, finally retired to London with her husband. Film Producer Paul Czinner. Last week's performance proved that her retirement had been premature...

Author: /time Magazine | Title: THEATER ABROAD: Comeback for Lisl | 10/19/1959 | See Source »

Part of the blame could be put on the horrendous playing conditions of the Los Angeles Coliseum, a converted football stadium that permitted the biggest crowds in World Series history (277,750 in three games) but nearly ruined both teams in the process. The cozy screen in leftfield (251 ft. at the foul line) clanged like a Chinese gong under the impact of balls that would have been easy outs in other parks. On occasion, outfielders staggered about mazily as flies descended out of the sun. Batters strained to pick out the ball from the backdrop of shirtsleeved bleacherites...

Author: /time Magazine | Title: Sport: Fun for the Fireman | 10/19/1959 | See Source »

...20th Century-Fox). In a sneak preview of this film at a Manhattan movie theater, a woman in the roped-off guest section raised her voice in the dark to cry: "Good heavens, how could Hank have accepted such a role?" There on the screen, prancing awkwardly in mandarin robes, flamenco suits, a clown costume, a silly goatee, was Henry Fonda in the role of Willie Bauché, Hollywood producer-director-writer-actor and the most elaborate phony since the big bad wolf...

Author: /time Magazine | Title: Cinema: The Man Who Understood Women | 10/19/1959 | See Source »

...Story. The great names of American crime cross the screen like targets in a shooting gallery-Pretty Boy Floyd, Baby Face Nelson, John Dillinger. And despite the soul-searing domestic difficulties of Special Agent Jimmy Stewart, the picture's documentary air is always absorbing...

Author: /time Magazine | Title: CINEMA: Time Listings, Oct. 19, 1959 | 10/19/1959 | See Source »

Director Jules Dassin relentlessly pursues this point. He has artfully brought to the screen Nikos Kazantzakis's novel of the triple meeting of the Church, the Turks and belief. Each of these elements is made to complement the others. The Agha is not portrayed as a shallow reproduction of Pilate, but as a ruler involved in protecting his 1921 interests. The disciples' reluctance to follow is more than biblical, it is equally motivated by their fear of leaving their wives and their pubs...

Author: By Margaret A. Armstrong, | Title: He Who Must Die | 10/13/1959 | See Source »

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