Word: screens
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Dates: during 1960-1969
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Irony is the first resort of the oporessed. Operating out of two languages, Gaelic and English, the lads found they could shoot up a smoke screen of Irish bulls and blarney that no colonial officer could penetrate. Forbidden to write patriotic songs, they wrote love poems to a girl that sounded suspiciously like Eire, hate poems couched as hymns and generally got things so snarled up that they even have to watch each other. (The best Irish talkers have eyes like terriers'.) Gulliver's Travels, the Anglo-Irish classic, is the high point of the two traditions...
Died. Martita Hunt, 69, one of the great ladies of the English stage and screen, who enthralled American audiences as the sinister Miss Havisham in the 1947 film version of Great Expectations, and in 1948 as the wondrously wacky ragbag old crone in Broadway's The Madwoman of Chaillot; in London...
...small control room on the Bahamian island of North Bimini, Marine Biologist Arthur Myrberg pushed a button, then stared intently at a television monitor. Within half a minute, the TV screen came alive with thrashing sharks, groupers, snappers and other large inhabitants of the deep. Myrberg's surprising underwater show had once again started on cue-as it does whenever he signals his aquatic actors...
...voice or stance, as we say in the English Department." He seems most comfortable when he can play someone else's part. He has a talent for doing voices and a heavy, mobile face that suggests the prosperous Dutchman who sat for Haals. In the language of the old screen comedians, his imitations produce the boffo--the laugh that kills. He usually delivers the lines sitting down, leaning forward over the table or desk. He moves corner of his lip up toward his ear, smooths the thinning grayish hair from the high forehead and takes the student's part...
MIDNIGHT COWBOY. Melancholy and an aching sense of loneliness pervade this screen version of James Leo Herlihy's novel about the unlikely friendship of two loners in New York. The acting by Dustin Hoffman and Newcomer Jon Voight is excellent, even though John Schlesinger's direction sometimes becomes too slick...