Search Details

Word: screens (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

MIDNIGHT COWBOY. Jon Voight and Dustin Hoffman, two of the screen's biggest antiheroes, find compassion and companionship in each other to make this one of the most memorable love stories in American cinema history...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Nov. 14, 1969 | 11/14/1969 | See Source »

MIDNIGHT COWBOY. Jon Voight and Dustin Hoffman, two of the screen's most anti-hero heroes, find compassion and companionship in each other to make this one of the most memorable love stories in American cinema history...

Author: /time Magazine | Title: Television: Nov. 7, 1969 | 11/7/1969 | See Source »

...Victorian farmhouse is a wreck. It is bare wood now, so you can hardly tell it was ever painted. The yard is all high weeds, covered with dog droppings, buzzing with flies. A radio plays through the broken screen door. I can't raise anybody so I go around back, where I find Bill McCorry and Bill McCorry Jr., the owners. The old man wears a cowboy hat and boots, the son has a flattop and cowboy boots, but a city shirt. I ask the son how he's making...

Author: /time Magazine | Title: Modern Living: CANDIDE CAMERA: IN SEARCH OF THE SOUL | 11/7/1969 | See Source »

...Jacqueline Susann's peekaboo novel The Love Machine, which focuses on wide-screen sex and power conflict in the television world, the anti-hero is Robin Stone, who advances to a top network job over the prostrate bodies of rivals and girls. Inevitably, show business insiders recognized in Stone at least a passing resemblance to James T. Aubrey Jr., 51. As president of CBS-TV for more than five years, Aubrey ruled with a high hand and a low common denominator of programming (The Beverly Hillbillies, Petticoat Junction) that for most of that time won CBS leadership...

Author: /time Magazine | Title: Corporations: Return of Smiling Jim | 10/31/1969 | See Source »

Whimsy is asthenic fantasy, a fragile, elusive quality difficult to render but easy to shatter into sentimentality. It is a commodity perhaps best left to books and greeting cards. Enlarged and expanded to fill a screen, it can become an overbearing thing, as two new movies pointedly prove...

Author: /time Magazine | Title: New Movies: The Doily and the Dumpling | 10/31/1969 | See Source »

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