Word: screens
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Dates: during 1980-1989
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...Salvador, Stone was learning to wind the cinematic mechanism until it coiled with productive tension, both on the screen and on the set. "Working with Stone was like being caught in a Cuisinart with a madman," James Woods opines. "And he felt the same about me. It was two Tasmanian devils wrestling under a blanket. But he's a sharp director. He starts with a great idea, delegates authority well, scraps like a street fighter, then takes the best of what comes out of the fracas." Says Dale Dye, the Marine captain who hazed Platoon's actors to firm them...
...long lines were forming outside the movie's Times Square flagship -- at lunchtime, on weekdays, in the hawk bite of a January wind -- and after midnight in early- to-bed Hollywood. In 74 theaters on the Jan. 9-11 weekend, Platoon averaged more than $22,000, the highest per-screen take of any new film...
Neither Sly Stallone nor Oliver Stone can put the whole picture of Viet Nam on a movie screen. There were 2.7 million stories in the naked jungle. Each veteran has his own view of the war, and each will have his own vision of Platoon. More than a few are disturbed by its presentation of a military unit at war with itself. Says Bob Duncan, 39, who served in the 1st Infantry at the same time Stone was in the 25th: "He managed to take every cliche -- the 'baby killer' and 'dope addict' -- that we've lived with...
...would take Stone almost a decade, until 1976, before he could write the script of Platoon, and another decade to put it on the screen. But first he had to take his high, wired act on the road. The same month he arrived back from Viet Nam, he was busted for carrying an ounce of marijuana across the Mexico-U.S. border, and called his father, saying, "The good news is that I'm out of Viet Nam. The bad news is that I'm in a California jail, facing five to 20." Stone says his father helped...
Reagan likes to recall his early postwar days as a workingman's advocate. In fact, as president of the Screen Actors Guild, he was not, reports Wills, "speaking for labor, but ((acting as)) a strikebreaker doing the will of the producers." When his movie career faltered, he became host of a television series, General Electric Theater, and stumped cross-country, speaking for the company. After eight years, he was summarily dismissed, but Reagan has no harsh words for GE; after all, by the time he was fired in 1962, he had reached a new constituency...