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Word: screens (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...nominations. And then it lost in virtually every single category (to Braveheart, an American made pseudo-British film). In 1992, Marisa Tomei beat out four British actresses for her Supporting Actress Oscar. In 1997, Frances McDormand beat out a host of British actress for her Oscar--she was on screen for less than half of Fargo. But the best example came in 1998, when Helen Hunt beat out four British actresses for her undeserved golden boy. What does it mean? It means that the American Academy of Arts and Sciences nominates British films and cast members to gain credibility...

Author: By Soman S. Chainani, | Title: CINE MANIC | 2/19/1999 | See Source »

Whatever the side effects, it's clear that academic life will never be the same. Janna J. Hansen '97 says that sometimes when an error appears on her screen, her Powerbook 165c will embarrass her by yelping a programmed message--"moose caboose!"--out into the silence of the library...

Author: By Geoffrey C. Hsu, | Title: Click, Clack: A Computer With Enemies | 2/19/1999 | See Source »

...multiple mini-plots very well. The issue of introducing each character's name and personality presents a promising opening to the film. Carroll throws the personas at the audience in a whirlwind of brief conversations and interactions for each character clinched with their written name appearing on the screen. It is obvious that the director understood the confusion that could result from a menagerie of seemingly unrelated stories and effectively compensates with the introduction. Unfortunately, this only keeps the knotted plot untangled momentarily, as you quickly become mired in the intrinsic flaws associated with staggered storytelling. Playing by Heart...

Author: By Christopher R. Blazejewski, CONTRIBUTING WRITER | Title: Heartburn: 'Play by Heart' and Lose | 2/19/1999 | See Source »

...where will the hyperlinks end? The Internet redefines the limits of human desire, zipping instant images of gratification 20 inches from our eyeballs. We click at our discretion and can quickly remove ourselves into our own fantasy slide shows. Seventeen roads diverge on a 17" screen...

Author: By Andrew K. Mandel, | Title: Endpaper: Due Apprehension in a Brave New World | 2/18/1999 | See Source »

...when the driver in front of us waits five seconds before moving at a newly green traffic light, or as we wring our hands when someone (heaven forbid) has checked their inbox but has not responded to our messages. We have become so paranoid about physical space that we screen calls. We finger-stalk. We struggle to remember password after password, half-recognizing that our information--our data, our ideas--could suddenly vanish if either we or our computers have a lapse in memory...

Author: By Andrew K. Mandel, | Title: Endpaper: Due Apprehension in a Brave New World | 2/18/1999 | See Source »

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