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...style of Garrone's film - long, episodic, solidly acted by a mix of familiar screen faces and nonprofessionals - is no more than efficient. But because violence erupts without warning, Gomorrah keeps you alert through the mundane parts. In the first scene, meaty men get gunned down in a tanning salon. That sets the movie's dramatic coordinates. People die stepping outside their front door, or in a whorehouse, or just fooling around on the street. In a typical crime movie, there's a suspenseful buildup to the bog kills. Here, death explodes prosaically, capriciously, as in Baghdad or Kabul...

Author: /time Magazine | Title: Gomorrah: Scarface for Real | 2/12/2009 | See Source »

...political themes, little pictures on big subjects. It's the stuff more likely to show up on HBO than at the AMC multiplex. Why does the Academy keep citing these (excellent) little movies over the (excellent) big ones, whose scope and excitement can't be duplicated on the small screen? (See the 100 best movies of all time...

Author: /time Magazine | Title: How the Oscars Became the Emmys | 2/12/2009 | See Source »

Moviegoing is exactly what separates the audience from the Academy. You, dear ordinary cinephile, go to a theater and sit in a big room with a big screen on which, you hope, big things will happen. Those things are called movies. But the Academy balloters, by and large, aren't true moviegoers; the movies come to them, on DVD screeners. When the members, many of whom are on the set for 12 or 14 hours a day, do their Oscar homework, they want a retreat from the pyrotechnics they've been creating. They want dramas that are important yet intimate...

Author: /time Magazine | Title: How the Oscars Became the Emmys | 2/12/2009 | See Source »

...future? (With online piracy rampant, will anyone get paid at all?) How do you replace TV-commercial revenue? And how do you measure a hit when more and more of the audience is watching on computers, on DVD players, via video-game consoles or on the screen of the bike...

Author: /time Magazine | Title: A TV Critic in the Post-TV World | 2/12/2009 | See Source »

...laptop through Hulu.com My iPhone doubled as a wireless video device. (My kids were already using it to sample YouTube's vast library of homemade Lego Star Wars animations.) By downloading free apps like Joost and Truveo, I could use its brilliantly lit display--a munchkin plasma screen--to watch last night's Daily Show and Gilmore Girls reruns. Much of what I couldn't get free, I could buy from iTunes and carry with me. I watched Terminator: The Sarah Connor Chronicles on the subway, The Office in my office...

Author: /time Magazine | Title: A TV Critic in the Post-TV World | 2/12/2009 | See Source »

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