Word: screens
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Miracle at St. Anna opens with images of John Wayne and his men in the World War II movie The Longest Day flickering on a TV screen in harsh black and white. Make that all white. An elderly African American (Laz Alonso) stares at the TV and murmurs, "Pilgrim, we fought for this country...
...money is on the screen, and so are his prickliness and passion. Tender, angry, unafraid of mixing comedy and sentiment, Lee's pictures bulge with so many ideas, they're hard to contain. Sometimes he holds them together through sheer nerve, as in the loopy racial satire Bamboozled; in other films, like Do the Right Thing, the story eventually explodes in the moviegoer's face. All the audience can expect is to be lectured, hassled and entertained...
...Fifth Avenue should round all that out nicely. It's certainly a page turner of practically Germanic efficiency. But it also reminds us of a weird truth about its author, which is that Bushnell on the page is a far darker, more interesting creature than Bushnell on the screen...
...appears to be a slavish devotion to Palahniuk’s zero-sum social nihilism and the narcissistic sexual gluttony that hastens in its wake. Whether it’s Gregg’s unsuccessful adaptation of the novel or the book’s basic incompatibility with the screen, many bits of dialogue seem more unimportant than stupid—but not by much. Rockwell plays Victor, a 30-something sex addict who divides his time between his job as an “historical interpreter” at a colonial village, serving as a sponsor at nymphomaniacs-anonymous...
...said. Sitney illustrated his lecture with short films. He used vivid biographical details and historical connections to help the audience better understand the world of experimental film. One film in particular featured an overhead view of a street with three dashed white lines filling the screen. When a car drives onscreen, it becomes clear that the camera has been filming upside down. Entitled “Shift,” the nine-minute film by Ernie Gehr switches between an upright and inverted point-of-view. The film continues on in this way with bicycles, garbage trucks...