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...star: it's to somehow make people watch you when your body's at rest. Studying this actor doing nothing is a rewarding experience. It's not that he suggests reservoirs of cogitation and calculation behind his eyes; he's too stolid, monolithic, slab-like for that. Reeves, on-screen, is not a thinking animal, but he's a strong, wounded, wary one. You feel both fascinated and apprehensive, guessing with good reason that he's about to claw, bite or maul some other creature in his way. Armed or not, Reeves is the weapon that...

Author: /time Magazine | Title: Street Kings: L.A.P.D.-lirious | 4/11/2008 | See Source »

...variety, there are restaurants with the cuisine, the atmosphere, and certainly the prices to remind almost all Spring Breakers of the best trip of their lives.DaedalusThe national origin of the menu is ambiguous at every final club’s favorite restaurant/bar, allowing it to serve as a blank screen onto which Eurotrippers of most varieties can project their experiences. Those recently returned from Ireland will undoubtedly catch the numerous references to James Joyce, but will (perhaps thankfully) find little to recognize in the food. Vacationers to Greece can impress their friends by expounding on the classical allusion that gives...

Author: By Aliza H. Aufrichtig and Marianne F. Kaletzky, CRIMSON STAFF WRITERSS | Title: Around Harvard Square in Foreign Fare | 4/11/2008 | See Source »

When David Gordon Green walked into the screening room at the Harvard Film Archive (HFA) on March 10, he looked indistinguishable from many of the students in the audience. Wearing a pair of jeans and a nonchalant expression on his face, Green’s casual appearance belied his status as an experienced and critically-acclaimed film director. Green was present at the HFA to screen a number of his films, including the newly released “Snow Angels,” and to answer questions from the audience. Green’s directorial technique is marked...

Author: By Betsy L. Mead, CONTRIBUTING WRITER | Title: Director 'Green' Visits HFA | 4/11/2008 | See Source »

Tony Conrad ’60 is an acclaimed and multitalented filmmaker, composer, and conceptual artist. Last weekend, the Harvard Film Archive (HFA) welcomed Conrad in person to screen a selection of his films, and his eclecticism was readily apparent. His unconventional and experimental approach to filmmaking—which includes literally cooking film to yield different visual effects—has led to a long and varied artistic career. On Saturday April 5, he screened his seminal work “The Flicker” (1965), a black-and-white avant-garde piece. On Sunday, he opted...

Author: By Betsy L. Mead, CONTRIBUTING WRITERS | Title: HFA Hosts Avant-Garde Filmmaker | 4/11/2008 | See Source »

Charlton Heston, the great screen actor who graced sets from the Egypt of the Old Testament to the Planet of the Apes, passed away a few days ago. A notable conservative who marched with Martin Luther King, Jr., he would later serve as the president of the National Rifle Association. Before the onset of the Alzheimer’s that claimed his life, Heston was often just a punch line for jokes about Soylent Green and gun nuts, but in truth he was a lot more than that...

Author: By Daniel C. Barbero | Title: That Old-Time Religion | 4/10/2008 | See Source »

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