Word: screens
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...devil--or demonized figure--it knows. But TV abhors a rerun, and the challenge would be to make it fresh. As for Obama, the network is still figuring out how to palatably antagonize him. While the Jeremiah Wright story was a gift--Fox turned him into a dashiki-clad screen saver--Fox's Chris Wallace embarrassingly chastised the hosts of Fox and Friends on-air for "distorting" Obama's words. And Bill O'Reilly caught flak for using the phrase "lynching party" in a critique of Michelle Obama...
...many stars today have the emotional equilibrium to keep their private lives private. (Meryl Streep is an exception - how does she manage it?) The consummate professional, Richard Widmark made his ripples and waves only on-screen. He had worked with plenty of notorious stars and tempestuous directors, but never wrote a tell-all autobiography, perhaps because he thought that secrets were best kept, not spilled. "I think a performer should do his work," he said in 1974, "and then shut up." He let his acting do the talking, snarling and giggling. And that was eloquent enough...
...where they are well fed and exercised. Still, the widely accepted idea that movies are recession-proof will be tested in new ways in coming months, as Indy and Batman do battle with stay-at-home entertainments people have already put on their credit cards, like iPods and plasma-screen...
...slightly eerie belief that he's smarter - or anyway more manipulative - than he appears to be. I find him to be a redeeming, even lovable, presence in not-so-hot movies. But he is not a great physical comedian, and it is asking a lot of his recessive screen character to carry film virtually single-handed. He needs the kind of help he got in a well-written , cleverly-plotted comedy like The Wedding Crashers, which is precisely what is not provided in this lazy, predictable movie...
...that we are constantly surrounded by the images and culture from both sides of this shattered childhood. We live a double-consciousness, where on the same browser page we can watch our innocent pasts and our broken present, both convenient and ephemeral escapes from the reality beyond the YouTube screen...