Word: screens
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...Film and Television Arts were going to be the only celebration of film that mattered this season. The U.S. writers' strike had already reduced the Golden Globes to a glorified checklist, and as long as negotiations were a standoff, the Oscars were no sure thing, either. Yes, the Screen Actors Guild awards had gone ahead as planned, but that doesn't resonate much beyond U.S. borders: a SAG award gets you back pats from showbiz pals, but it won't sell your film in France. So it looked like last night's ceremony in London would be the only chance...
...Which is how The Diving Bell and the Butterfly, an adaptation of stroke victim Jean-Dominique Bauby's autobiography, beat out the screen version of Ian McEwan's Atonement for best adapted screenplay. And how newcomer Marion Cotillard - who played Edith Piaf in La Vie En Rose - nabbed the best actress award that was all but already on Julie Christie's mantelpiece. The upset has British awards-watchers seething and might have left Christie a little peeved, too: on Monday morning she was quoted in the free daily Metro calling the BAFTAs "a night for the media to fill gaps...
...writer of The Day The Earth Stood Still, as he exited the L.A. meeting, which followed an earlier, equally celebratory one in New York attended by some 500 WGA members. "There were a lot of standing ovations." The crowd cheered Verrone and negotiator David Young, as well as the Screen Actors Guild, for that union's solidarity with the writers over the last few months...
...professional. Turning the Dunster House dining hall, grand as it is, into a useable venue for opera is no small feat and the set designed by Thalassa G. Raasch ’09 is a success because its functionality makes the most of a challenging space. A backlit screen offers the opportunity for stage director Matthew M. Spellberg ’09 to display two locations to the audience at the same time. The one major set change is seamless as two large doors open to replace a living room with a garden landscape.The talented cast fills Raasch?...
...classroom. This semester, award-winning television writer and producer Jeffrey D. Melvoin ’75 is bringing over 25 years of experience in the entertainment industry to Cambridge. Melvoin’s new course, Dramatic Arts 37, “The Craft of Storytelling on Stage, Television, and Screen,” will give students an understanding of the differences and similarities of the three media—stage, television, and film—through script-reading. By close study of a script in each medium, Melvoin hopes to help students explore what is universal to storytelling and what...