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...Enhance 224 to 176,” Ford mumbles to the machine, gazing unblinkingly at the screen that displays the photo. Like all the rusted machinery of Ridley Scott’s dystopian Los Angeles, the Esper clicks and whistles, zooming in on a shadow of someone’s arm. But our protagonist is not satisfied. “Enhance,” he says again...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...First, let’s address the good news. The “Final Cut” is in a limited theatrical run, in anticipation of a Christmastime DVD release, and the big screen offers the ideal environment for both devotees and newbies to experience the film...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Blade Runner: The Final Cut | 11/15/2007 | See Source »

...Without the influx of new scripts from members of the Writers’ Guild, Alpert says his firm will have to adjust its focus to animation, international co-production and local-language pieces. SOLIDARITY AND CUPCAKESMia E. Riverton ’99, a member of the Screen Actors Guild (SAG) and Alpert’s wife, had similar feelings. “I’m not a WGA member but I certainly support them,” she says. Riverton made cupcakes for picketers on Los Angeles sets in a show of solidarity. The SAG website events list...

Author: By Ryan J. Meehan and Katherine L. Miller, CONTRIBUTING WRITERSS | Title: BOTH SIDES NOW | 11/15/2007 | See Source »

...poetic line in Spanish as corny in English. García Márquez’s writing makes this translation even more difficult. His prose is known for its detail, harmonious meter, and subtle humor—rarely do any of these attributes make it to the big screen. Undoubtedly, this becomes the film’s tragic flaw. The film would have been profoundly better in its native language, where direct quotes could have been used, and more of the novel’s delights retained. However, sprinkled throughout the film are moments where the author?...

Author: By Andres A. Arguello, CONTRIBUTING WRITER | Title: Love In The Time Of Cholera | 11/15/2007 | See Source »

...that Sigel—who has done a year of federal time—was tired of orange jumpsuits. More on that later. The video, which also features R. Kelly, is cinematic from the get-go. It opens with Beanie and Kellz’s names splashed across the screen, pans of the nighttime Chicago skyline, and the sounds of swishing helicopter blades. Soon thereafter, Beanie and R. pose on a high-rise rooftop as the latter sings, “I’m hood, I’m street / Still standing in the middle of the heat...

Author: By Katherine L. Miller, CONTRIBUTING WRITER | Title: POPSCREEN: Beanie Sigel | 11/15/2007 | See Source »

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