Word: screens
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...post-Audrey age, when stars are in rehab before they're out of their teens, when British royals rut as strenuously as rock stars and a President gets impeached for accepting fellatio from an intern, deportment is a Victorian concept. Even in the 50s, a decade of such screen seraphs as Vivien Leigh, Claire Bloom, Grace Kelly and Jean Simmons (William Wyler's first choice for the role of Princess Ann), Hepburn was a glorious anachronism. She represented a moral and emotional aristocracy that no longer exists - if it ever did, outside of her pictures...
...Perhaps the men who directed her in this period (and all but four of them were over 50) determined that her age was no hurdle at all for Hepburn - that a connoisseur's maturity was needed to appreciate her unique vintage. She was courted on screen by nearly every hunky Hollywood relic until, in The Nun's Story, only God could be her best beau...
...most of her life she managed to evade tabloid crossfire that signifies modern celebrity. The reign of Hepburn was mainly on the screen. She married an actor, Mel Ferrer, then she married a doctor; she had two sons, both attending her when she died. People near her said she was not treated well by her men until she found Robert Wolders, her companion for her last, most difficult decade...
...monkeys' consciousness flipped from one state to another. Instead, it was a region that sits further down the information stream and that registers coherent shapes and objects that tracks the monkeys' awareness. Now this doesn't mean that this place on the underside of the brain is the TV screen of consciousness. What it means, according to a theory by Crick and his collaborator Christof Koch, is that consciousness resides only in the "higher" parts of the brain that are connected to circuits for emotion and decision making, just what one would expect from the blackboard metaphor...
...minutes Andrea McColl, a research assistant at the University of Southern California, has been repeating the same string of nonsense syllables, changing her intonation on cue. When a smiling cartoon face pops up on the screen in front of her, she tries to sound happy. When a frowning face pops up, she sounds sad. And then, again on cue, she falls silent, listening via a headphone as an actress runs through a similar da-da-da-da-da routine...