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...That sort of essentialism is in vogue in Hollywood. This year?s winner for Best Picture, Crash, was essentially a cluster of stock characters ambling on screen only to represent their respective ethnicities. The ambling always ended in racial slurs and suspicion. Like Black.White., nearly every action in the movie is explained by race. Carjacking? What else is a young black man to do? Suspicious of your Mexican locksmith? Well, what do you expect of upper-class white women? Racist cop feeling up your wife? That?s what happens when your dad gets screwed by affirmative action...

Author: /time Magazine | Title: Not So Black and White | 4/12/2006 | See Source »

...thing ABC (and other networks) can count on is a drawn-out brouhaha with the Screen Actors Guild, the Directors Guild, and other Hollywood unions. Unions are already demanding a boost in residuals members earn for iTunes downloads, and they may ask for additional money coming from the new revenues generated by streaming video ad sales. SAG says all unions combined now get a piddling two cents for each $1.99 download, with actors receiving about half of that, and the Writers Guild of America, which represents scriptwriters, says their residual amounts to less than half a cent. For its part...

Author: /time Magazine | Title: Desperate Housewives Online! | 4/12/2006 | See Source »

...previous years, LCDs had a problem with something called response time; that is, the time it takes for the pixels on the screen to change. When the response time is greater than 10 milliseconds, your eyes can perceive the lag, and things can look streaky. Sometimes objects get an unintended halo. The Bravia has an 8ms response, and the Aquos has it beat with a 6ms response time. But I can tell you that, for both companies, the problem appears to have been eliminated. I did not notice any response time issues...

Author: /time Magazine | Title: Gadget Showdown: Sharp Aquos vs. Sony Bravia | 4/12/2006 | See Source »

Local friends and old Courier staffers mingle among tiki torches. Peppler, now a staff photographer at Newsday, has assembled a white screen and portable projector, showing photos of the reporters during their younger days in Alabama. A few folks laugh when a picture of John C. Diamante ’66 pops up: in the photo, he nonchalantly looks to the side in what appears to be a trademark grimace. Some fall silent when the picture of a Courier reporter who has since passed away flickers on the screen...

Author: By Stephen M. Fee, CRIMSON STAFF WRITER | Title: Hope Alongside Hatred | 4/12/2006 | See Source »

...Screen Media Films...

Author: By Tom C. Denison, CONTRIBUTING WRITER | Title: Stoned | 4/12/2006 | See Source »

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