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...there's an edge to Gulpilil's laugh, there's good reason. Shot in a crocodile-infested lagoon just after last year's wet season, Ten Canoes was as thrilling in the making as it is on screen (its filming will be the subject of an SBS documentary, Eighteen Canoes, to be aired close to the film's Australian release in June). For up to seven hours a day, director and crew would wade through thick swamp, with crocodile spotters on platforms above. "It really was the leeches getting you from the waist down; mosquitoes from above the waist," says...

Author: /time Magazine | Title: Keeping Time with Rolf | 3/13/2006 | See Source »

...jury prize at the Venice Film Festival and set in motion one of the film world's most unusual partnerships. Without Procacci's investment and clout, it's doubtful that films like Dance Me to My Song or Alexandra's Project would have been made, let alone invited to screen in competition at Cannes and Berlin...

Author: /time Magazine | Title: Keeping Time with Rolf | 3/13/2006 | See Source »

...Hyatt Regency Incheon This state-of-the-art property, tel: (82-32) 745 1234, is just 2 km away from Seoul's main airport and boasts 523 rooms and suites, furnished with goose-down duvets and flat-screen TVs. Its restaurant, 8, offers (you guessed it) eight different culinary styles. Other leisure options include a casino and the stylish pool at the Club Olympus...

Author: /time Magazine | Title: Check In | 3/13/2006 | See Source »

...Hard Out Here for a Pimp," from "Hustle & Flow," win best song at the Oscars. Songs and videos about pimping "make it look like it's O.K.," argues Lee, who has known thousands of prostitutes and hundreds of pimps in her career. Alas, the power of the video screen can often overcome even the grim message of the story being told...

Author: /time Magazine | Title: Are Pimp Films Too Instructive? | 3/13/2006 | See Source »

Directors say they frame a shot with the big--not the small--screen in mind. "I only paint on the one size sheet of paper," Spielberg says. "I make my movies for a movie theater, and I like to imagine how big that screen is. But I also realize on a laptop on an airplane or, even worse, on an iPod, they are never going to see that character, and an element of the story will be lost." Whatever is lost on the smaller screen, DVD has become, in Smith's words, "historically the final record of your movie. That...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

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