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...wide screen and 500 people reacting to the movie--there is nothing like that experience," says Mann. Shyamalan sees it as a mystic conversation. "With enough strangers in the room," he says, "you become part of this collective human soul--which is a much more powerful way to watch a movie" than seeing it alone at home...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

...maverick who writes, directs, shoots, cuts and scores his own movies as well as supervises the special effects, doing it all at his home ranch on the Pedernales River and at a small Austin, Texas, studio. Using high-definition cameras, he shot his Sin City actors against a green screen, filling in the backgrounds digitally, and rarely went beyond a second or third take. That's one secret to making a gorgeous all-star movie for $40 million--less than half the average Hollywood budget...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

Once a film is shot and cut, it has to be copied, sent to theaters and put on the screen--steps that are expensive and risky. Print quality, for example, can vary drastically from frame to frame and print to print. The quality of projection may also vary. "There are still theaters that run the projector lamp at less than proper brightness," says Mann. (A digital projector is much more accurate.) Finally, film degenerates, the way a vinyl record does under a stylus or a videocassette does with frequent use. "With film you have degradation problems," Smith says, "where...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

...will they still go--if day-and-date distribution comes to pass, that is--when they can buy a DVD the same day and see it with a bunch of friends on a 45-in. screen? Much was made of Soderbergh's experiment with Bubble--a minimalist, low-budget, no-star movie that opened nearly simultaneously in theaters, video stores and homes. And people didn't go for it in any format. Shyamalan sees a lesson there: "Bubble had $10 million worth of free publicity. Bubble had the advantage over any independent movie of its same...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

...movies does take over, that would be a strange revolution indeed. It's one thing to miniaturize phones and radios for easier use. It's another to reduce the 65-ft. movie-palace dream images of old--the ones revived for last week's Oscar show--onto a screen the size of Dick Tracy's wristwatch...

Author: /time Magazine | Title: Can This Man Save The Movies? (Again?) | 3/12/2006 | See Source »

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