Word: screens
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...browsing and instant messaging are the two areas that highlight both the strengths and weaknesses of the 770. The browser-from a "third party"-is powerful. Most sites showed up without a hitch-although it stumbled slightly with the Java on AOL's website. The screen resolution is an impressive 800x480 pixels, which means if you have great eyesight you can see entire webpages across the 4-in. widescreen. If you're having trouble, fear not, for two buttons on top will zoom the picture in and out. Although Nokia clearly thought the screen issue through, it still represents...
...have seen the future, and it's cool. Using green screen, stars like Bruce Willis and Mickey Rourke, and a style so rich and lurid it ought to be illegal, Robert Rodriguez has perfected a system that is to old-fashioned filmmaking what Grand Theft Auto is to your father's Oldsmobile. The movie's pretty good too: a gnarly noir nightmare in four parts, which the unrated DVD presents with added footage and a zillion natty extras...
...maximum effect, this should be seen on a gigantic movie screen--the visual scope is that grand, the details that rich. But George Lucas' dark and honorable wrap-up to his space odyssey will look just fine on the 45-in. screen in your home-entertainment center. The DVD has a starship-load of extras to answer every question a viewer could have, except How come Padmé dies here, when in the original Star Wars trilogy Princess Leia remembers her mother...
Garbo's centenary this September made lots of people remember that she was once considered a great actress. This set offers irrefutable proof: 10 features packed with enough glamour and bold genius to leave any skeptic awestruck. See her ignite the screen in Ernst Lubitsch's divine comedy Ninotchka or the Dumas melodrama Camille--made in 1939 and still the most astonishing display of star acting the movies ever recorded...
...confines of the set. Corrugated, graffitied iron extends beyond the lights. Within the lit frame, however, the décor is not incompatible with the early 1900s. The red lights are not the only delineating separating feature of the set, which was also designed by Lupa. A slightly reflective screen divides the living room foreground from the dining room background, allowing the juxtaposition of divergent actions in the two rooms, so the audience’s attention can easily shift back and forth between the two. The precise physical and mental spaces in which the play takes place are made...