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...early '80s, Daniels was trained to be "part of an ensemble," not stand out from it. He admits he had to be nudged by Woody Allen to "go on, go on, go on"--be bigger, bolder--in the role of the 1930s actor who literally steps off the screen in The Purple Rose of Cairo, and pushed by Jonathan Demme, to go from repressed yuppie to Melanie Griffith's handcuffed boy toy in Something Wild...

Author: /time Magazine | Title: Movies: The Very Bad Dad | 10/2/2005 | See Source »

It’s dangerous. It’s fast. And it’s spreading pandemonium in the swamps of Louisiana…but on the silver screen, not the weather channel...

Author: By Michaela N. De lacaze, CRIMSON STAFF WRITER | Title: MOVIE REVIEW | 9/30/2005 | See Source »

There’s a lot of symbolism here (digital merry-go-round caballus turns into shoe containing fragile singer, propelled laterally off-screen by dreamy vapors), or else the creators mean nothing by the art at all, which is almost better...

Author: NO WRITER ATTRIBUTED | Title: Pop Screen | 9/30/2005 | See Source »

Youth, especially infancy, was a pervading theme of the show. Images of baby doll faces, toys, and gestating fetuses were projected on a screen behind the band. These simple sights were accompanied by relatively simple sounds—competent drumming and lots of tinkering around with xylophones and such—and I wasn’t exactly moved to a transcendent state of ecstasy. But that’s the point...

Author: By Abe Riesman, CRIMSON STAFF WRITER | Title: Sigur Rós, Unborn | 9/30/2005 | See Source »

...Cronenberg’s trust to create one of the more indelible portraits of the year, as a man haunted by America’s dichotomy of peaceful coexistence and righteous anger. It is a combination beautifully portrayed in the two painfully intimate sex scenes between Mortensen and on-screen wife Maria Bello, which take place before and after the question of his identity is raised...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Dualistic Philosophy of David Cronenberg | 9/30/2005 | See Source »

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