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...revving motors and shouts of Israeli Yael Bartana's Kings of the Hill hit you before the work itself: it's a record of teenagers racing old cars up and down Tel Aviv sand dunes well into the night. At times it's almost abstract, with headlights filling the screen and engines roaring. You could read some political message into the struggling cars, as you could into Turk Fikret Atay's Rebels of the Dance, which shows two boys dancing and singing Kurdish folk songs in an ATM booth - or you could just enjoy the boys' exuberance. All the short...

Author: /time Magazine | Title: Screen Gems | 12/12/2004 | See Source »

...revving motors and shouts of Israeli Yael Bartana's Kings of the Hill hit you before the work itself: it's a record of teenagers racing old cars up and down Tel Aviv sand dunes well into the night. At times it's almost abstract, with headlights filling the screen and engines roaring. You could read some political message into the struggling cars, as you could into Turk Fikret Atay's Rebels of the Dance, which shows two boys dancing and singing Kurdish folk songs in an ATM booth?or you could just enjoy the boys' exuberance...

Author: /time Magazine | Title: Screen Gems | 12/12/2004 | See Source »

...really good at acting really dumb. Kris Kristofferson is good at affecting Jesus with a laconic absence of humor, which I suppose is a skill in itself, like Al Jolson’s dancing in blackface. James Claveziel, take note: you should pray to have Kristofferson’s screen presence when you reach his age. And then, of course, Wesley Snipes is truly phenomenal...

Author: NO WRITER ATTRIBUTED | Title: Film Review | 12/10/2004 | See Source »

Escape to the deserts of Botswana and for a moment enter into the jungle world of the Kalahari lion. Brought to you very realistically thanks to the 180-degree dome film screen at the Museum of Science. Daily through Feb. 17. Science Park...

Author: NO WRITER ATTRIBUTED | Title: Happening | 12/10/2004 | See Source »

...desires while delivering perfectly placed words intended to cause maximum hurt to another as they all struggle to understand what it means to love. The actors are also all indebted to Marber for his witty and overall intelligent script, which makes a terrific transition from the stage to the screen. Despite their clearly egregious ways, Nichols’ camera shoots his handsome couples with tremendous affection. His tight close-ups put you right in the moment so that you can almost feel the heat emanating from the skin of their passion-filled bodies. His trademark zoom shots, while they still...

Author: NO WRITER ATTRIBUTED | Title: Happening | 12/10/2004 | See Source »

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