Word: screens
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...single-minded drive of these two characters is evident from the start, as they flounder around Ben’s Somerville apartment trying mindlessly to adapt J.D. Salinger’s A Catcher in the Rye for the big screen. Bernstine’s knuckleheaded take on Affleck as a needy and whiny dilettante who can’t get an audition, complements Morris’s nerdy portrayal of the bossy, perfectionist Damon, edging both into the pathetic—if only we can forget the Academy Award and subsequent millions of dollars. Thankfully, we can. That these wimpy...
Equus’s staging (by Ben J. Toff ’05) and lighting (by Josh Randall) are complex and perfect. A bright light facing the front of the stage serves as both religious illumination and a movie screen. When they are not on stage, the actors other than Cozzens and Fishburn sit in stalls, each illuminated by a bare light bulb and containing a gleaming wire and clear plastic mask of a horse’s head (created with obvious care by Andrea E. Flores ’05, Shaun Rolly, and Nancy Lewis). As the action calls...
Armageddon: The state of contemporary American cinema is morphed into an apocalyptic nightmarescape in this 1998 film from famed Pearl Harbor director Michael Bay. Some of the most horrifying images every committed to celluloid leap off the screen, including Liv Tyler bemoaning her father’s sacrificial heroics and Ben Affleck crying. One sequence, however, stands out as eliciting a primordial fear in literally every audience member. In the scene, Affleck playfully animates an animal cracker “crawling” across Tyler’s exposed mid-section to an undisclosed location. But we?...
...admit I wasn’t in the middle of it two nights ago, instead stuck typing headlines onto a computer screen, but I know what it’s like...
...Wednesday night—whether crowded in front of the big screen of a house common room or scattered amongst the swarming sea of wicked drunk revelers rolling through Kenmore Square—Harvard students lost themselves in the high...