Word: screens
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...with just a hint of excitement, for directions to Room 41. Deep in the belly of the gallery, beyond the Lucian Freuds and the Cecil Beatons, Room 41 sits hushed and darkened. I join 11 visitors curled cross-legged on the floor, gazing at a 1-m-wide plasma screen where a shirtless blond man lies sleeping: David Beckham, of course. Who else would it be? I settle into a corner and take a moment to get in the mood. David, Sam Taylor-Wood's 67-minute video of the slumbering football hero, was commissioned by the gallery and shot...
Kill Bill: Vol. 2, is an ode to the most cunning and sensuous lips ever to grace the screen. Under the lens of Robert Richardson, an emerging master of the close-up, Uma Thurman’s lips star in Vol. 2 as though they were themselves a separate character. Indeed, an entire subplot could be drawn merely among the players’ lips, which Tarantino leaves under scrutiny through his final scene. Surely most moviegoers will reject this lip thesis in favor of the fairly blatant kung fu theme which runs through—and, admittedly, uplifts?...
...bass beat of the walk-walk-walk-to-the-rhythm melody slinked throughout the crowd, revolving lights sparred with the continually transforming graphics on the video screen in eclectic tandem. An intoxicating dose of adrenaline and energy pulsed back and forth between the audience and the impossibly gorgeous figures onstage. On the evening of Friday, April 23, the only constant was the nostalgia-stimulant hip-hop roaring from the speakers, as the audience journeyed through four decades of pop culture fashion at Eleganza: Harvard’s annual spectacle of style...
...were in a room packed with friends and it was more comfortable, because you knew everyone,” says Johnson. “But now, it’s less casual—you’re in front of 1300 people with a Jumbotron screen behind you.” Borrowed from Women In Color’s “Haute” show last semester, the video screen, coupled with computer graphics and sequenced sound, magnified the scope of the production tremendously. Although adding to the show’s high-stakes atmosphere, the visuals allowed...
...producers also hired Indigo Design Group to incorporate computer generated graphics onto the screen during the live show. Both the visual effects coordinator and the light board operator would be playing live, listening for the music cued up by Matthew T. O’Malley ’04, who utilized the same sequencing program used by Versace and Dolce & Gabbana in sequencing their music...