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...failed to check the crumbling of the South Vietnamese government and its troops?and despite frequently expressed doubts that the next move would be much more effective. Yet the bureaucracy, the Pentagon papers indicate, always demanded new options; each option was to apply more force. Each tightening of the screw created a position that must be defended; once committed, the military pressure must be maintained. A pause, it was argued, would reveal lack of resolve, embolden the Communists and further demoralize the South Vietnamese. Almost no one said: "Wait?where are we going? Should we turn back...

Author: /time Magazine | Title: The Nation: Pentagon Papers: The Secret War | 6/28/1971 | See Source »

...Henry often becomes a cipher; the SPFC scene is both cruel and whimsical in a mix that doesn't mesh; and I even may be mistaken about the purpose of the songs the girls were singing: I am told that one of them, Tom Eyen's "Ode to a Screw," passes for chic these days...

Author: By Michael Sragow, | Title: Films From Fair to Middling | 5/20/1971 | See Source »

WHEN first I packed my grandmother's trunk to take to Radcliffe College, in it I put my A's from high school, my virginity, my square man who wouldn't screw, the articles my grandmother cut out of Reader's Digest, tears that came and wouldn't go for days on end, the parents I never had, and my black patent pocket book and patent heels with a black patent belt to match the heels and the pocket book. This three-piece patent suit I had bought at Saks Fifth Avenue for the history teacher I would adore...

Author: By Tina Rathborne, | Title: Book The Bell Jar | 5/4/1971 | See Source »

...heart of a brute like you." When her square boyfriend, Buddy Willard, takes down his pants for her benefit she says, "The only thing I could think of was turkey gizzards and I felt depressed." Hating her virginity she gets a man to give her the rack and the screw and hemorrhages violently. Her suicides are novel...

Author: By Tina Rathborne, | Title: Book The Bell Jar | 5/4/1971 | See Source »

Buckley and Goldstein piously proclaim that their sheet is not just another specimen of sado-sex journalism, but the distinction seems elusive in Screw. The writing style is often prosaic and juvenile, and the four-letter argot is flung against a wide variety of institutions and individuals-among them the New York Times (which once unwittingly carried an ad for Screw), the TV networks, J. Edgar Hoover, Billy Graham and Richard Nixon. On the tamer side, there have been interviews with Joe Namath and Timothy Leary and an in-bed session with John Lennon and Yoko...

Author: /time Magazine | Title: The Press: No Place to Go but Up | 4/19/1971 | See Source »

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