Word: scrim
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Dates: during 1980-1989
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...dependent on imaginative metaphor rather than money. True, productions tend to look a lot alike, regardless of content: perhaps as a reaction against the easy intimacy of TV's close-ups, almost every company seems infatuated with mounting shows in gloomy near darkness or in silhouette behind a scrim. Moreover, many of the popular tricks of stagecraft (a costumed mannequin standing amid the audience's seats, a door flinging open to reveal a burst of light) are recognizable even to Westerners as derived from the 1960s work of such still active directors as Yuri Lyubimov and Oleg Efremov, who today...
...Lowell House Opera Director Allison Charney, who doubled quite beautifully as Cherubino in the performance, seems to have discovered how to get singers heard over the strains of the orchestra. The orchestra plays behind a scrim with an intricate television camera hook-up between conductor and cast, leaving the singers room to really project their voices and have a fun time doing...
...Clouds stampede over the northern New Mexico terrain, where hillocks perch like adobe huts. The kiss of two fine brown faces is silhouetted by an orange sunset, flaring into sympathetic melodrama. Night falls, and there's a rope of rainbow in the sky; a frosted moon smiles behind a scrim of mist. It makes for quite a pretty show. Nature has rarely gone to the movies in starker, more glamorous clothes...
...theatrical giants of the known universe, seems to have been a bit bewildered by this piece. His usual mastry of theatrical trickery has slipped, most notably during the first scene. A woman (Lucinda Childs) wanders across the front of the stage. Behind her a piece of white scrim is blown by a wind machine, representing the white wall of a terrific blizzard. A shrill voice booms through the P.A. system, then--Riiiip!--Frau von Kessel (Elizabeth Franz) and her servant tear the scrim and stick their torsos through it. It's supposed to look clever and mysterious, these two figures...
...right, along with the curlicues of wrought iron between his eye and the Baie des Anges, and the peculiar Moorish dome of a pier pavilion, and the curl of a dressing- mirror frame, and the flat black cover of a notebook on the vanity, and the way a scrim curtain hung and stirred in the faint breeze -- and all the rest...