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...death house rooms and the leather gurney on which McVeigh would lie, to go to sleep, as if to have his appendix out - but not to wake. There was an atmosphere of subdued media circus - not satisfactorily macabre, however, since the entire performance was concealed behind a weird scrim of discretion and vagueness, none of us knowing exactly the moment when Timothy McVeigh died. His life winked out unobserved by the millions. This was capital punishment as a sort of Zen, the sound of one hand clapping...

Author: /time Magazine | Title: Killing McVeigh Gave Him Power | 6/11/2001 | See Source »

...landscape and street photography, heavy on fashion and portraiture. But it's a highly credible assortment, brainy and fun, with samples from most of the major episodes of 20th century photography. There's a fair selection of greatest hits--Edward Steichen's 1924 portrait of Gloria Swanson behind a scrim of black lace, Dorothea Lange's inevitable Migrant Mother of 1936--and some less familiar examples by big names. Everybody has seen Edward Weston's nudes, but probably not the one here, from 1927, which turns a pair of legs, tightly folded at the knees, into nestled loaves of Italian...

Author: /time Magazine | Title: Photography: Pictures From An Exhibitionist | 11/13/2000 | See Source »

...landscape and street photography, heavy on fashion and portraiture. But it's a highly credible assortment, brainy and fun, with samples from most of the major episodes of 20th century photography. There's a fair selection of greatest hits - Edward Steichen's 1924 portrait of Gloria Swanson behind a scrim of black lace, Dorothea Lange's inevitable Migrant Mother of 1936 - and some less familiar examples by big names. Everybody has seen Edward Weston's nudes, but probably not the one here, from 1927, which turns a pair of legs, tightly folded at the knees, into nestled loaves of Italian...

Author: /time Magazine | Title: Pictures From an Exhibitionist | 11/1/2000 | See Source »

...ballet opens with a scrim, a semi-opaque curtain at the front of the stage that blurs the action behind it, cementing the ballet in the human subconscious that lets the viewer experience and personalize art. The characters are endearing, fictitious, yet and somehow logical, carefully developed through choreography. The Firebird herself, given frantic, bird-like steps, seems supernatural, wrought with the frustration of being the sole guardian of good in a realm deprived of it. The princesses dance barefoot, as if to accentuate their delicacy and femininity in a dismal bleak world, and also their child-like helplessness...

Author: By Diana R. Movius, CONTRIBUTING WRITER | Title: Take Me Out to (and Knock Me Out at) the Ballet | 10/22/1999 | See Source »

Seinfeld parodied Peterman--the tribute, perhaps, of one insubstantial '90s style to another. Illusion is everything, self-deception is indispensable, and Peterman works behind a scrim of pastness, sometimes hilarious but curiously sweet nonetheless. Peterman sells interesting and fairly good-quality stuff (though he lately got caught in a crunch of high inventory, debt and cash-flow problems). The danger, of course, is that you may get the thing in the mail and try it on (a Sherlock Holmes hat or cape, say, or one of those flouncy, too-much-by-half fin-de-siecle velvet gowns: "We drank Veuve...

Author: /time Magazine | Title: Hard Times At J. Peterman | 2/8/1999 | See Source »

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