Word: scrims
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Dates: during 1990-1999
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...ballet opens with a scrim, a semi-opaque curtain at the front of the stage that blurs the action behind it, cementing the ballet in the human subconscious that lets the viewer experience and personalize art. The characters are endearing, fictitious, yet and somehow logical, carefully developed through choreography. The Firebird herself, given frantic, bird-like steps, seems supernatural, wrought with the frustration of being the sole guardian of good in a realm deprived of it. The princesses dance barefoot, as if to accentuate their delicacy and femininity in a dismal bleak world, and also their child-like helplessness...
Seinfeld parodied Peterman--the tribute, perhaps, of one insubstantial '90s style to another. Illusion is everything, self-deception is indispensable, and Peterman works behind a scrim of pastness, sometimes hilarious but curiously sweet nonetheless. Peterman sells interesting and fairly good-quality stuff (though he lately got caught in a crunch of high inventory, debt and cash-flow problems). The danger, of course, is that you may get the thing in the mail and try it on (a Sherlock Holmes hat or cape, say, or one of those flouncy, too-much-by-half fin-de-siecle velvet gowns: "We drank Veuve...
...becomes aquatinted with the play's governing force from the outset in the form of Bessie Smith's spirit, who croons the blues from behind an ephemeral scrim which effectively separates the realms of action. Casting a huge black shadow on the white of the gauzy scrim, she is a strong symbol of guilt hovering as an angel over a white world, and she is central to any success this show finds in its ability to condemn. Bessie's soulful vocal chords are those of Boston veteran actress Michelle Dowd, whose blues tunes are harmoniously accompanied by a talented...
...Hodgson '97 praises the new Studio 74 rehearsal space and the grant money her organization receives from the OFA "without which we could not stay solvent." But she complains of the difficulty of performing at Radcliffe Dance Center because the Company must clear its stage set (including flats, scrim, strip lights and trees) after every performance to accommodate dance classes given by Radcliffe. Performance, it seems, gets second priority at Radcliffe...
...minute, may fall into the empty orchestra pit. The sheer size of the steep, imposing staircase that looms in the background makes it seem to have much more to do with the action of the play than it actually does. But it looks great nonetheless, especially when the scrim behind it is somehow made to look like falling rain...