Word: scrims
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...walk-in closet, the actors waited alone, standing among bare furniture and containers of Jiffy Pop. They listened nervously for cues and silently urged one another on with nods of the head and "O.K." signs. Through the narrow doorway, only the orchestra was visible and the brightly-lit scrim which changed color from scene to scene: red, green, blue. Stage lights turned the air to a tinged blue haze which echoed with the disembodied voices of actors and laughter and applause. Every so often an actor dashed through the greenroom, grabbing a throat lozenge or gulp of water along...
...egoism, and the individualist's haughtiness and vanity. The work begins as one dancer poses with pelvis thrust forward, one dancer poses with pelvis thrust forward, one hand positioned smugly behind his head. His photograph and then a larger-than-life silhouettte is thrown on the scrim. More and bigger photographs follow as other dancers join in, all lit by a bronze glow, enshrining them as perfect Renaissance nudes...
...nnhilde ride a horse into the pyre. But she does sleep on a genuine jagged peak-not just some symbolic platform. Reversing another current fashion, London puts light rather than gloom on everything, and the operagoer does not have to view the whole show through a front scrim...
This play begins with a black man raping a white woman. Strangely enough, it is less a brutal physical act than the saddest of requiems. The play ends with the figures of John and Robert Kennedy, Martin Luther King and Malcolm X on a rear stage scrim being spattered with gobs of blood. Thus the rape is, to some degree, an image of the anarchic violence...
Sexily Luscious. Director Frank Corsaro has staged Die Tote Stadt as a brilliant, psychologically adroit multimedia show. Movie and slide projectors play on the front scrim. Four slide projectors illuminate a scrim in the rear. Corsaro and Cinematographer Ronald Chase spread a series of images that are at times dazzling in their three-dimensional effect-grotesque faces, Gothic walls and towers, eerie grottoes, flowers, woodlands. The production opens, for example, on the exterior of Paul's house. Then, through the masonry, the portrait of Marie begins to shine. The lights come up behind the scrim in Paul...