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Word: script (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Since most radio programs use prepared scripts, radio performers need nothing so much as the ability to read aloud. But programs like General Foods Corp.'s We, the People, in which the audience participates, run into special script troubles: the program's cross section includes people with poor eyesight, some illiterates. Average for We, the People is one guest a week who cannot see well enough to read an ordinary script. Last week the docket included a man who could not see at all- blind Musician Leonard Burford. For Guest Burford the script was typed in Braille...

Author: /time Magazine | Title: Radio: Readers | 12/26/1938 | See Source »

Very little of Alfred Ollivant's famous story has survived this latest script writers' spree. Bob, Son of Battle, has become an incidental character who manages, much to the audience's disappointment, to win the sheep-herding cup from McAdam's Black (not Red) Wull. David Moore has been transformed into a handsome young cavelier who wins the heart of McAdam's pretty daughter (his son has also been discarded) as well as the coveted cup. At times Will Fyffe's characterization of the vicious drunkard is superlative, but at other times--notably when he hands the precious cup over...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 12/8/1938 | See Source »

...Jouhaux. So-called "alarming reports" of French police last week "smashing" many "spontaneous" and "premature" so-called "strikes" in Lille (50,000 strikers), Billancourt (30,000), Valenciennes (8,000), etc., had their element of play-acting-but the play was new. It was not according to the "New Deal" script of Léon Blum, under whom as Premier one million workers were on strikes & sit-downs two short years ago (TIME, June 22, 1936). Premier Daladier took most drastic measures for Defense-or Civil War, if this week in France it should come to that...

Author: /time Magazine | Title: FRANCE: For Defense | 12/5/1938 | See Source »

...likely to delight U. S. critics and cinemaddicts. More significant, it pleased its own author. Heretofore adamant in refusing to sell cinema rights of his plays (with the exception of two shorts: How He Lied to Her Husband, Arms and the Man), Bernard Shaw not only helped write the script for Pygmalion but agreed to let Producer Pascal film all his other plays. Producer Pascal will soon start work on Caesar and Cleopatra...

Author: /time Magazine | Title: Cinema: Old Show, New Trick | 12/5/1938 | See Source »

...Hollywood, went there at $2,500 a week, sent back money to keep the play and the Group going. Again, in the summer of 1937. when the Group existed in name only-its leading actors and its one remaining director were all in Hollywood-Odets came through with the script of Golden Boy, and like a Pied Piper led everybody back to Broadway...

Author: /time Magazine | Title: The Theatre: White Hope | 12/5/1938 | See Source »

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